Posts Tagged ‘BBC’

Author: Ben Kaye - Librettist, Co-founder
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December 7th 2013
Second Review of Anya17 in Germany

“No champagne this evening, no Premierengeschnatter (Premiere Chatter). Only concern. And silence. Then applause, roaring loudly after seventy minutes of silence…”

 

No champagne this evening, no Premierengeschnatter. Only concern. And silence. Then applause, roaring loudly after seventy minutes of silence. No known opera evening in Meiningen Kammerspielen, for many reasons. The subject is not a unusual in musical theater: the prostitute, the prostitute. But it is not those romanticized as the Alban Berg’s Lulu or Violetta in Verdi’s “La Traviata”. Instead, it’s about young flesh, fresh from Eastern Europe, numbered. Thus, no suitor has to bother with pesky name when he ordered the goods woman.

Forced prostitution. To raise this issue on a stage as well, as it creates through the means of music that pretends less images rather in the minds of the audience that has to Adam Gorb not a composer still married. “Anya 17″ has the Briton called his chamber opera, translation superfluous, as superfluous as the concrete location of the plot. Anya’s story could play anywhere between Eastern and Western Europe: A poor girl who loves for the first time. Want to believe the nice thing about this life in the West, which promises you the beloved. And then without it ending up in a dump. For money to buy, day and night.

Tell that everything is from the perspective of women to men has librettist Ben Kaye the marginal roles intended for, ugly roles: love vorgaukelnde decoy Uri that sex with love be confused Free Gabriel (both parts sung by Rodrigo Porras Garulo) and the brutal pimp Viktor . Stephanos Tsirakoglou shows him as a patronizing dealer who supplies the market only what this requires. And for that the hand is staying.

The market wants girls like Anya, whose dismay flashes her fate from each shooed views from every gesture, from each desperate tone of Anne Ellersiek. He also wants girls like Natalia (Carolina Krogius), happy girls, raped by father, clarified by strangers at age ten, twelve working the streets. He wants girls like the blind Elena (Camila Ribero-Souza), bruised resigned to their existence. But he does not want a girl like Mila (Elif Aytekin) whose body apparently suffers from this market than for a Free favor could find him. The reason has to die is disposed of.

Director Mareike Zimmermann leaves the four women occur in nude Suites, like bathing suits with sewn breasts and buttocks. The alienated, makes the scenes appear grotesque. The sex is just as ugly as those men who thus make a deal in this oppressive intensive production. The viewer comes when looking at the stage like a voyeur before looking to a container with mirror foil, the times reflected, sometimes gives a view of the scene free.

What happens twice in the music Gorb that makes kicks and punches audible. According opulent with two musicians on percussion is the fifteen-member Court Orchestra under the direction of the first Kapellmeister Leo McFall occupied. It leads – enriched with quotes – sound in two opposite spheres. After kicking off with folklore bonds it changes with the flight to the West. Commented it the glittering world of the goods ironically with Broadway and jazz. In the score, there are so cliché, as well as on stage plenty of cliche-affected can be seen, the touched yet or perhaps because. At the end of a little hope for Anya.

More still affected after all the pain, blood, fear. No known opera evening.

Further performances on 8./14. December 10 January 8 February every 20 clock

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Author: Ben Kaye - Librettist, Co-founder
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November 28th 2013
“I used to be… ‘beautiful Elena from Tulica’”

With the fully-staged world premiere of Anya17 less than 5 hours away, there’s just enough time for me to give you a glimpse of Camila Ribero-Souza, who plays the blinded “Elena”.

“They beat me so hard… I thought I would die. Then, I hoped they wouldn’t stop – I longed for death…”

“I used to be… ‘beautiful Elena from Tulica’, now I’m just ‘The Blind Girl’…”

“At least I don’t have to look anymore at their drunken… sweating… grunting… faces…”

 

Camila Ribero-Souza plays Elena, blinded by her Traffickers

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Author: Ben Kaye - Librettist, Co-founder
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October 26th 2013
“Mein Name ist Anya” – Anya17 highlights Human Trafficking in Deutsche Zeitung and is invited to “go national” across Romania

We couldn’t be more delighted that the Romanian premiere of Anya17 prompted a fact-based report on Human Trafficking in Deutsche Zeitung (Romanian Edition).

Following the performance, the President of Pro Prieyenia Arad (a partner in the performance) received a call from the Ministry of Internal Affairs in Bucharest, inviting Pro Prieyenia Arad and The Friendship Foundation (UK – Romania) to go national with both the Anti-Trafficking Symposium and Anya17! We couldn’t possibly have hoped for a better result!

On that note, it was also wonderful to hear about individual audience experiences of Anya17. The following is typical:

“The standing ovation, which followed what seems like minutes of ‘gob-smacked’ silence, indicated the general audience response. A senior police office from South Africa declared to me the following day that the opera had changed the direction of his vocation.”

Let’s all keep our fingers crossed and hope that in addition to Romania, Germany (Nov 28th), San Francisco (next year) that Anya17 continues to raise awareness of the horrors of Human Trafficking.

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Author: Ben Kaye - Librettist, Co-founder
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March 8th 2012
Anya17 Premieres!

Well, goodness me and where to begin? Stunning premiere performances all round at The Philharmonic Hall last night in Liverpool and it currently looks like we’re heading for a sell-out in Manchester tomorrow night.
There hasn’t really been any time at all yet to stop and reflect, but the congratulatory emails have been pouring in ever since ‘curtain down’, and I just hope that the Cast are aware of the immense contributions they have made. The Ensemble 10/10 were infallibly brilliant despite an almost impossibly tight rehearsal schedule, and the wonderful performance coaxed from them by Clark Rundell was a tribute both to his inspirational vision and to the nsemble 10/10’s unshakable, consummate professionalism.
We’ll hopefully get some posts soon from these terrific singers, but until then let me leave you with this; coverage from the brilliant BBC just prior to the Anya17 world premiere last night…

BBC TV Coverage on day of Anya17 Premiere

Ben Kaye, Librettist

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Author: Ben Kaye - Librettist, Co-founder
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November 24th 2011
Anya17: First BBC TV Coverage

Simon Clemison: BBC News

Adam Gorb and I are much indebted to the brilliant BBC who have not only covered our previous collaborations but have already leant their support to Anya17 at the earliest possible stage. In a clear commitment to raise public awareness of the issues of Human Trafficking, here is the first BBC News Report which was aired just days ago across three BBC southern TV regions.

Special thanks must go to Simon Clemison (pictured) at the BBC, whose dogged determination

and belief in the project resulted not only  in the News article already mentioned, but also a second BBC TV report on Trafficking in the South West (to be posted shortly), and an in-depth documentary to be aired next year.

Thank you brilliant BBC!

Ben



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Author: Ben Kaye - Librettist, Co-founder
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October 13th 2011
United Nations

Ben Kaye from Anya17 meets Aranka and Syria from The United Nations (UN-GIFT) in London Oct 2011

It was wonderful to finally meet Siria and Aranka from UN.GIFT, with whom I had been liaising for so long before we had an informal get together this week in London. It was particularly poignant also to meet at the BFI Southbank, where the Composer Adam Gorb and I had so many meetings thrashing out the Opera.

Siria and Aranka had just flown over from Vienna on a very busy schedule indeed and were due to fly across the globe the next day, so it was great to catch up. UN.GIFT are about to launch (amongst many other things) a new Human Trafficking leaflet and would very much appreciate feedback from UK NGOs before publication, so if you don’t have their contact details then please do get in touch asap.

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Author: Ben Kaye - Librettist, Co-founder
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October 2nd 2011
Anya17 Nominated for Award!

It was a huge surprise when I heard that ‘Anya17’ has already been nominated for an award!

Despite the fact that the premiere of Anya17 is not until March 7th next year, the Libretto for the Opera has been circulating amongst the Charity community in the UK and abroad, and the result seems to have been a nomination for a HTF Media award at The House of Lords in October!

Let’s not get too excited here, because not only is there ‘many a slip twixt cup and lip’ but also some technicality over dates may make us ineligible both for the Awards for this year, and unfortunately for 2012, but the nomination itself is a great emotional boost to all of us who have worked so hard and for so long on this project – some since 2009. Without Adam Gorb, the RNCM, The Royal Liverpool Philharmonic, Liverpool Hope University, Anna, Stu, Lauren, the UN, the supporting Charities, MPs, MEPs and the BBC, what we may have had here could have just have been a still-born dream.

Before I go into full ‘Awards Ceremony Mode’ therefore and start thanking my Agent (who doesn’t exist), my Mother (who definitely does) and my Deity (the Jury’s still out on that one), I would sincerely like to thank all of you for nurturing some nebulous genus of an idea and helped the project to get this far.

Surely the plaudits though must go to my hairdresser…

Well done everyone!

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Author: Ben Kaye - Librettist, Co-founder
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September 25th 2011
Second Documentary Confirmed

Directly inspired by the Anya17 project, a recent call from the BBC confirmed that they have decided to start filming a short Documentary on Human Trafficking in the UK.

Spearheaded by the much-respected Simon Clemison, the Documentary will form part of the BBC’s ‘Inside Out’ series, and although predominately focussing on the South West (where I’m based) it is hoped that the magnitude of the subject will ensure BBC broadcasts in many other regions.

I am absolutely delighted that Anya17 has stimulated this interest, and despite the fact that ‘Anya’ is unlikely to feature much in the film, Anya’s true purpose will be well served.

Many thanks to Simon and all at the Beeb for their continued support!

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