Posts Tagged ‘Ensemble 10/10’

Author: Ben Kaye - Librettist, Co-founder
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May 21st 2015
“Riveting Art”

ANYA17 makes the “Best” List of the Bay Area’s Classical Music Scene for 2014.

 

“Anya 17, a modern treatment of sexual slavery and trafficking, was premiered by Opera Parallele last June. This gifted opera company has moved from edgy productions of twentieth century to their second premiere, and it was a humdinger.

 

A multi-layered score by British composer Adam Gorb and a haunting libretto by Ben Kaye took this most uncomfortable subject and turned it into riveting art. Go to anything this company does. Anything!”

 

 

Repeat Performances

Online reviews of events in the San Francisco Bay area and beyond…

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Author: Ben Kaye - Librettist, Co-founder
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June 25th 2014
Audience reaction to Anya17 in San Francisco

 

“It is an extraordinarily powerful and emotional work. A tough and uncompromising story and the fact that it was in the form of an opera seemed as natural as breathing. There has never been anything like this on stage in San Francisco. Bravo a tutti at Opera Parallele.
While we were in the theatre some very young women being held as sex slaves were rescued in a trafficking sting mere blocks away. “
Mike – 23 June

“STRONGLY recommend ANYA 17. Today at 4pm is the last show, if you haven’t seen it go get your tickets. It’s more than just an opera… it’s an amazing, eye-opening msg bringing awareness around human trafficking… I saw it on FRIDAY and I am still thinking of it. THANK YOU Opera Parallele for bringing awareness on such an important subject to our community through music and theater.”
Raeeka – 22 June

“I saw Anya 17 tonight. I want to say amazing, but in truth it was difficult and disturbing. I think that is the point… Congratulations to you and everyone else for such a difficult piece.”
Quincy – 22 June

“Really proud of Opera Parallele…they are doing important things. Experienced a great piece of theatre tonight.”
Leah – 20 June

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Author: Ben Kaye - Librettist, Co-founder
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December 16th 2013
Together in Legislation…

uk-politics-25389760

All of us who have been involved with Anya17 are very encouraged to learn that the increased public awareness and pressure exerted by so many Anti-Trafficking / Slavery initiatives and organisations in the past years has resulted in proposed legislation to recognise and attempt to address the multiple issues of modern day Slavery in the UK.

 

Anya17 was written to raise awareness of modern day Slavery, and the Sex Trafficking of adults and minors in particular, and perhaps therefore surely we should take some satisfaction in having helped spread the message and raising awareness of these issues?

 

The real truth is that we know many of the NGOs supporting Anya17 have differing opinions and reservations about the proposed legislation as it stands. All of these conviction-driven NGOs are trying to do ‘the right thing’, so understandably many of these indispensable organisations attack the problems from slightly different angles.

 

Many are on ‘the front line’, dealing with victims every day, some are on ‘the front line’ but concentrate their efforts on rescuing children… or on rescuing adults. The greatest strengths of some are in advocacy, awareness, cooperation, legislation or in the prosecution of Traffickers.

 

The real work is therefore just beginning…

 

The important thing we all must recognise is that:

 

WE ARE ALL DOING THIS FOR THE SAME REASON – TO ERADICATE THE TRAFFICKING, EXPLOITATION AND SLAVERY OF HUMAN BEINGS.
The next few months will be a very difficult time – a time in which alliances may be brokered, broken and re-formed, perhaps ultimately to the detriment of less-influential organisations, or more importantly, to the victims.

 

Politics is a slippery, difficult game. I just hope that whatever becomes Law will be for the benefit of ALL victims – past, present and future.

 

LET THERE BE NO POLITICAL  ‘DIVIDE AND CONQUER’


It is far more important to provide a united front in terms of proposed legislation than to allow our different initiatives to fall into dis-unity. If this happens then the Government will be provided with a real opportunity to negotiate with various ‘major’ players and ‘pick and choose’ in terms of the legislation proposed. The Human Trafficking Foundation has provided leadership, a Forum and an ideas-exchange, and I hope that they will be able to pull together our disparate ideas but unified goals into a coherent initiative, against which any opposition to new legislation may not find any defence.

 

Only time will tell… but please let us not waste the time, nor the opportunity. Let’s just make it happen.

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Author: Ben Kaye - Librettist, Co-founder
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December 7th 2013
Second Review of Anya17 in Germany

“No champagne this evening, no Premierengeschnatter (Premiere Chatter). Only concern. And silence. Then applause, roaring loudly after seventy minutes of silence…”

 

No champagne this evening, no Premierengeschnatter. Only concern. And silence. Then applause, roaring loudly after seventy minutes of silence. No known opera evening in Meiningen Kammerspielen, for many reasons. The subject is not a unusual in musical theater: the prostitute, the prostitute. But it is not those romanticized as the Alban Berg’s Lulu or Violetta in Verdi’s “La Traviata”. Instead, it’s about young flesh, fresh from Eastern Europe, numbered. Thus, no suitor has to bother with pesky name when he ordered the goods woman.

Forced prostitution. To raise this issue on a stage as well, as it creates through the means of music that pretends less images rather in the minds of the audience that has to Adam Gorb not a composer still married. “Anya 17″ has the Briton called his chamber opera, translation superfluous, as superfluous as the concrete location of the plot. Anya’s story could play anywhere between Eastern and Western Europe: A poor girl who loves for the first time. Want to believe the nice thing about this life in the West, which promises you the beloved. And then without it ending up in a dump. For money to buy, day and night.

Tell that everything is from the perspective of women to men has librettist Ben Kaye the marginal roles intended for, ugly roles: love vorgaukelnde decoy Uri that sex with love be confused Free Gabriel (both parts sung by Rodrigo Porras Garulo) and the brutal pimp Viktor . Stephanos Tsirakoglou shows him as a patronizing dealer who supplies the market only what this requires. And for that the hand is staying.

The market wants girls like Anya, whose dismay flashes her fate from each shooed views from every gesture, from each desperate tone of Anne Ellersiek. He also wants girls like Natalia (Carolina Krogius), happy girls, raped by father, clarified by strangers at age ten, twelve working the streets. He wants girls like the blind Elena (Camila Ribero-Souza), bruised resigned to their existence. But he does not want a girl like Mila (Elif Aytekin) whose body apparently suffers from this market than for a Free favor could find him. The reason has to die is disposed of.

Director Mareike Zimmermann leaves the four women occur in nude Suites, like bathing suits with sewn breasts and buttocks. The alienated, makes the scenes appear grotesque. The sex is just as ugly as those men who thus make a deal in this oppressive intensive production. The viewer comes when looking at the stage like a voyeur before looking to a container with mirror foil, the times reflected, sometimes gives a view of the scene free.

What happens twice in the music Gorb that makes kicks and punches audible. According opulent with two musicians on percussion is the fifteen-member Court Orchestra under the direction of the first Kapellmeister Leo McFall occupied. It leads – enriched with quotes – sound in two opposite spheres. After kicking off with folklore bonds it changes with the flight to the West. Commented it the glittering world of the goods ironically with Broadway and jazz. In the score, there are so cliché, as well as on stage plenty of cliche-affected can be seen, the touched yet or perhaps because. At the end of a little hope for Anya.

More still affected after all the pain, blood, fear. No known opera evening.

Further performances on 8./14. December 10 January 8 February every 20 clock

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Author: Ben Kaye - Librettist, Co-founder
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November 16th 2013
The Calm before the Storm

In about a week, I will be heading down to Meiningen Germany to Das Meininger Theater to attend the fully-staged world premiere of Anya17 (and many subsequent performances over the coming months).

When you are in the midst of a long-term project, it can be all too easy to look forward with trepidation and be forced to accept the sudden realisation that you have “so far to go…”

Today (for a change) I decided to take the opposite view and “stopped on the mountainside” to look back and see just how far we had actually come.

From the genus of an idea, the amazing Anya17 team has:

1. Premiered concert performances with the Royal Liverpool Philharmonic Ensemble 10/10 and The Royal Northern College of Music.

2. Gained extensive coverage to raise awareness of Human Trafficking on the brilliant BBC and with many many others (as far afield as South Korea and Australia).

3. Premiered Anya17 in Romania and received an invitation to take the opera all over Romania by The Ministry of Internal Affairs (in conjunction with The UK-Romania Friendship Foundation and their wonderfully-successful International Human Trafficking Symposium).

4. Secured a USA premiere with Opera Parallele in San Francisco in 2014, and used the opportunity to engage a swathe of Human Rights groups and Media in America.

5. Won the “Best Film or Stage Production Dealing with Human Trafficking” Award at the Anti-Slavery Day Media Awards last year at The House of Commons, promoted by The Human Trafficking Foundation.

6. Gained the official endorsement of thirteen Anti-Trafficking NGOs, many of whom we hope will attend the German premiere.

7. A performance in Feb next year in Wales is currently awaiting confirmation, whilst other potential performances in the UK with the original Cast are at such an early stage that… let’s just wait and see…

Yes, we do have a long way to go.

Sometimes though it’s good to look back and gain confidence and inspiration for the future, from the successes of the past.

I haven’t met any of the Singers or Musicians who will be performing Anya17 in Germany. I haven’t even yet met the Director, the Conductor, the Costume Designer or any of the others.

I did though receive an email from one of the Singers, who is playing the part of “Elena” in Germany. I won’t relate the email because all these thoughts will be appearing on the blog soon.

All I can say is that “the passion lives on…”

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Author: Ben Kaye - Librettist, Co-founder
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March 8th 2012
Anya17 Premieres!

Well, goodness me and where to begin? Stunning premiere performances all round at The Philharmonic Hall last night in Liverpool and it currently looks like we’re heading for a sell-out in Manchester tomorrow night.
There hasn’t really been any time at all yet to stop and reflect, but the congratulatory emails have been pouring in ever since ‘curtain down’, and I just hope that the Cast are aware of the immense contributions they have made. The Ensemble 10/10 were infallibly brilliant despite an almost impossibly tight rehearsal schedule, and the wonderful performance coaxed from them by Clark Rundell was a tribute both to his inspirational vision and to the nsemble 10/10’s unshakable, consummate professionalism.
We’ll hopefully get some posts soon from these terrific singers, but until then let me leave you with this; coverage from the brilliant BBC just prior to the Anya17 world premiere last night…

BBC TV Coverage on day of Anya17 Premiere

Ben Kaye, Librettist

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Author: Ben Kaye - Librettist, Co-founder
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December 6th 2011
Anya17: Exclusive behind the scenes footage

The recent Anya17 auditions at the RNCM were universally of such a high standard that it made the selection process almost impossible. To give you a taste of the range of impressive talent at the RNCM, I thought it worth posting some ‘behind the scenes’ un-edited Documentary footage.

This clip (courtesy of Shilton Photo Film) features one audition for the role of Natalia, whose highly unusual and disturbing aria, almost a ‘Broadway parody’ juxtaposes the contemporary / classical nature of the rest of the Opera. The astoundingly talented Frances Marshfield gave an unforgettable performance which left the panel almost lost for words.

This melodic, upbeat composition is also in shocking contrast with its lyrical content, which relates Natalia’s cruel introduction to the world of  sexual exploitation.

Please note that this performance contains subject matter which some viewers may find disturbing.

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Author: Hayley Chappell - Online Marketer
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December 2nd 2011
Anya17: The Cast

Following the recent auditions for Anya 17 we are pleased to announce the following cast and production team.

THE CAST
Anya                                Andrea Tweedale
Mila                                  Joanne Holton
Natalia/Carole               Lucy Baines
Elena                               Amy Webber
Gabriel/Uri                     Sean Boyes
Viktor                             Thomas Hopkinson

Conductor: Clark Rundell
Director: Caroline Clegg

Première performance in Liverpool on Wednesday 7 March 2012. Further performance at RNCM in Manchester on Friday 9 March 2012.

The audition panel wish to congratulate all who auditioned for the high standard of preparation and presentation.

If you would like more information about the roles in Anya 17, visit our cast page.

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Author: Ben Kaye - Librettist, Co-founder
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November 4th 2011
Anya17 Auditions: It’s tough being an X Factor judge

Hopeful auditionee for the role of Natalia

Being an X Factor judge isn’t as easy as it seems! The harsh reality of picking and choosing between talented performers became all too clear as I sat, somewhat the judging novice, on the panel at Monday night’s Anya17 auditions at the RNCM in Manchester. Whilst neither spray tans nor capped teeth were in evidence amongst the august panel, the many talented performers gave it their all for nearly four hours under the unforgiving gaze of the camera and the expert judges.

Completing the panel and amply compensating for my complete lack of judging experience were Anya17’s Composer Adam Gorb, Clark Rundell and Stephan Janski.

Stephan’s friendly and encouraging style belied his extensive experience and much-praised work with Glyndebourne Festival and Touring Opera, ENO, Scottish Opera, Los Angeles Opera, Ryedale Festival and many others. Now Head of RNCM Opera (and a fantastic Librettist to boot), Stephan inspired some wonderful performances on the night.

Surely winning the prize for the longest title however, Clark Rundell, (Director of Contemporary Music and Head of Conducting at the RNCM, and Artistic Director of the Royal Liverpool Philharmonic’s new music group, Ensemble 10/10), was as knowledgeable as he was incisive. A good thing too, as attempting to choose between the many extraordinary and well-prepared performances would have left me at a complete loss!

It's tough being a X Factor judge - Ben Kaye - Stephan Janski - Adam Gorb - Clark Rundell

Decisions had to be made however, and we will announce the cast line-up very shortly! (So make sure you’re checking back here and on our Facebook page and Twitter feed for all the latest developments.)

Monday also marked the start of filming for the Anya17 Documentary. James from Shilton Photo Film was kept busy for most of the day nimbly chasing light, angles and a variety of interviewees across the vast, labyrinthine landscape of the RNCM whilst burdened with a mountain of gear that would have soon had me screaming for the nearest Sherpa! Thank you also to Tina and Lara from City Hearts for taking part and also to Hope for Justice for finding the time to be with us.

That’s about all for now. In my next blog I will be introducing the talented singers who will become the cast of Anya17, and, if there’s space, I also hope to share my experiences at Unchosen’s latest screening at the LSE in London…

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Author: Ben Kaye - Librettist, Co-founder
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October 26th 2011
House of Lords

Ben Kaye ~ Human Trafficking Foundation Chairman Anthony Steen ~ Adam Gorb ~ House of Lords

It was a great honour indeed for Adam Gorb and I to be invited to The House of Lords on October 17th to represent Anya17 at the inaugural HTF Media Awards. Never having visited Parliament before, the sense of occasion was even more heightened as we were ushered past the thousands of tourists, through the private gates and into this extraordinary centre of power, declaimed by its extravagant, almost gothic architecture and interior restrained magnificence.

Neither Parliamentary film footage nor the ubiquitous London postcards could have prepared me for the scale or opulence of The Lords. Both Adam and I though spent our time wisely though, talking with many representatives from Human Trafficking Charities and political figures about Anya17, as well as listening to speeches from Trafficking victims and media figures.

Having seen so many ‘shots’ of The Houses of Parliament from across the river it was strange to see the London Eye and so many other new landmarks from the deeply historically-entrenched perspective of The Lords. Despite the radically-altered skyline I couldn’t help but be transported back to Pepys, the Great Fire and strangely enough the freezing of The Thames, together with its accompanying Chestnut sellers, braying their wares from behind glowing braziers on the ice – such is the lot of a poet!

From an Arts perspective I was absolutely bowled over by a truly extraordinary exhibition of charcoals by the Artist Rosalie Watkins, whose powerful work portrayed a Trafficking victim ‘Kira’. If you haven’t seen these utterly exceptional works of art then you absolutely MUST visit http://www.rosaliewatkins.co.uk/rosaliewatkins.co.uk/Human_Trafficking_Project.html

In essence though our presence at The Lords was an opportunity to rouse the media and raise awareness of Sex Trafficking in particular and more generally Human Trafficking in the UK. Could I therefore take this opportunity to thank Tamlin Vickers at the HTF for the invitation following our Award nomination. Press, BBC three regions TV and much other coverage swiftly followed, including an additional promise of coverage from BBC Radio 3.

My next blog will cover my visit to No. 10 Downing Street and the possibility of a performance in Strasbourg in April courtesy of Bob Walter MP and the UK’s Presidency of The Council of Europe.

Auditions for Anya17, (and filming) begin in just over a week, so I’ll no doubt be back in touch very soon!

Oh yes… Funding! To date we have received no funding whatsoever, so if you would like to help (and incidentally become the owner of the very ‘first’ T Shirt design before it changes in a few days time) please spend the equivalent of a couple of double mocca chocca chinos and you can say that you were in at the beginning! http://anya17.spreadshirt.co.uk

Please be aware that the back of the T Shirts contain sexually explicit content appropriate to the cause. For younger wearers I recommend the ‘Front Only’ option.

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