Posts Tagged ‘ethical design’

Author: Ben Kaye - Librettist, Co-founder
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December 16th 2013
Together in Legislation…

uk-politics-25389760

All of us who have been involved with Anya17 are very encouraged to learn that the increased public awareness and pressure exerted by so many Anti-Trafficking / Slavery initiatives and organisations in the past years has resulted in proposed legislation to recognise and attempt to address the multiple issues of modern day Slavery in the UK.

 

Anya17 was written to raise awareness of modern day Slavery, and the Sex Trafficking of adults and minors in particular, and perhaps therefore surely we should take some satisfaction in having helped spread the message and raising awareness of these issues?

 

The real truth is that we know many of the NGOs supporting Anya17 have differing opinions and reservations about the proposed legislation as it stands. All of these conviction-driven NGOs are trying to do ‘the right thing’, so understandably many of these indispensable organisations attack the problems from slightly different angles.

 

Many are on ‘the front line’, dealing with victims every day, some are on ‘the front line’ but concentrate their efforts on rescuing children… or on rescuing adults. The greatest strengths of some are in advocacy, awareness, cooperation, legislation or in the prosecution of Traffickers.

 

The real work is therefore just beginning…

 

The important thing we all must recognise is that:

 

WE ARE ALL DOING THIS FOR THE SAME REASON – TO ERADICATE THE TRAFFICKING, EXPLOITATION AND SLAVERY OF HUMAN BEINGS.
The next few months will be a very difficult time – a time in which alliances may be brokered, broken and re-formed, perhaps ultimately to the detriment of less-influential organisations, or more importantly, to the victims.

 

Politics is a slippery, difficult game. I just hope that whatever becomes Law will be for the benefit of ALL victims – past, present and future.

 

LET THERE BE NO POLITICAL  ‘DIVIDE AND CONQUER’


It is far more important to provide a united front in terms of proposed legislation than to allow our different initiatives to fall into dis-unity. If this happens then the Government will be provided with a real opportunity to negotiate with various ‘major’ players and ‘pick and choose’ in terms of the legislation proposed. The Human Trafficking Foundation has provided leadership, a Forum and an ideas-exchange, and I hope that they will be able to pull together our disparate ideas but unified goals into a coherent initiative, against which any opposition to new legislation may not find any defence.

 

Only time will tell… but please let us not waste the time, nor the opportunity. Let’s just make it happen.

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Author: Ben Kaye - Librettist, Co-founder
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December 7th 2013
Second Review of Anya17 in Germany

“No champagne this evening, no Premierengeschnatter (Premiere Chatter). Only concern. And silence. Then applause, roaring loudly after seventy minutes of silence…”

 

No champagne this evening, no Premierengeschnatter. Only concern. And silence. Then applause, roaring loudly after seventy minutes of silence. No known opera evening in Meiningen Kammerspielen, for many reasons. The subject is not a unusual in musical theater: the prostitute, the prostitute. But it is not those romanticized as the Alban Berg’s Lulu or Violetta in Verdi’s “La Traviata”. Instead, it’s about young flesh, fresh from Eastern Europe, numbered. Thus, no suitor has to bother with pesky name when he ordered the goods woman.

Forced prostitution. To raise this issue on a stage as well, as it creates through the means of music that pretends less images rather in the minds of the audience that has to Adam Gorb not a composer still married. “Anya 17″ has the Briton called his chamber opera, translation superfluous, as superfluous as the concrete location of the plot. Anya’s story could play anywhere between Eastern and Western Europe: A poor girl who loves for the first time. Want to believe the nice thing about this life in the West, which promises you the beloved. And then without it ending up in a dump. For money to buy, day and night.

Tell that everything is from the perspective of women to men has librettist Ben Kaye the marginal roles intended for, ugly roles: love vorgaukelnde decoy Uri that sex with love be confused Free Gabriel (both parts sung by Rodrigo Porras Garulo) and the brutal pimp Viktor . Stephanos Tsirakoglou shows him as a patronizing dealer who supplies the market only what this requires. And for that the hand is staying.

The market wants girls like Anya, whose dismay flashes her fate from each shooed views from every gesture, from each desperate tone of Anne Ellersiek. He also wants girls like Natalia (Carolina Krogius), happy girls, raped by father, clarified by strangers at age ten, twelve working the streets. He wants girls like the blind Elena (Camila Ribero-Souza), bruised resigned to their existence. But he does not want a girl like Mila (Elif Aytekin) whose body apparently suffers from this market than for a Free favor could find him. The reason has to die is disposed of.

Director Mareike Zimmermann leaves the four women occur in nude Suites, like bathing suits with sewn breasts and buttocks. The alienated, makes the scenes appear grotesque. The sex is just as ugly as those men who thus make a deal in this oppressive intensive production. The viewer comes when looking at the stage like a voyeur before looking to a container with mirror foil, the times reflected, sometimes gives a view of the scene free.

What happens twice in the music Gorb that makes kicks and punches audible. According opulent with two musicians on percussion is the fifteen-member Court Orchestra under the direction of the first Kapellmeister Leo McFall occupied. It leads – enriched with quotes – sound in two opposite spheres. After kicking off with folklore bonds it changes with the flight to the West. Commented it the glittering world of the goods ironically with Broadway and jazz. In the score, there are so cliché, as well as on stage plenty of cliche-affected can be seen, the touched yet or perhaps because. At the end of a little hope for Anya.

More still affected after all the pain, blood, fear. No known opera evening.

Further performances on 8./14. December 10 January 8 February every 20 clock

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Author: Stu Jones - Graphic Designer
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November 10th 2011
Anya17 T-Shirts: Exposed

In my last blog post I promised I’d shed some light on the story behind the mysterious code on the rear of the Anya17 t-shirts. So for any of you who have been waiting with bated breath, here we go.

When we first met Ben he had a pretty good idea of what he needed to do from a marketing point of view to get people excited about Anya 17. Getting a buzz going about the opera was absolutely essential. It was natural that, during our initial conversations about the logo, talk turned to include the other visual aspects of the project: the website, Facebook, Twitter, print work and other general merchandise, including t-shirts.

We all thought t-shirts were a fantastic way of getting the branding out there and seen by as many people as possible. It made perfect sense to have the (at that point undesigned) logo as the most prominent element on the front of the shirt. Then there was the small matter of the back of the t-shirts. We all felt that the rear of the shirt gave us a great opportunity to share more information about the project aims and to spread awareness of the trafficking issue. Therefore, as well as the logos of any sponsors, a bit of information on the rear about the cause was a must, but we also wanted something a bit different that would really serve as a conversation starter.

During our first phone call Ben had already talked about the kinds of services girls in Anya17’s situation were being forced to offer by the traffickers. The way these services were advertised to potential customers (so-called ‘Johns’) was very particular and listed as a “menu”. This menu of services varied from girl to girl and was written using a code of acronyms. The code had apparently originated as a way for ‘Johns’ to elude the police on internet prostitution websites. Ben explained the code was very well known to the ‘Johns’ and each individual acronym was usually listed together with an indication of price, again written in code.

We all thought that this menu would make very interesting print for the rear of the t-shirts. The idea was to use it as a device to inspire questions and conversation but I especially liked the way the format seemed to echo that of rock band tour t-shirts. However, instead of listing the venues of the performances, ours would listing the different types of ‘performances’ themselves.

With that decided, all that was left was to design the actual t-shirts. As you will have seen if you have looked at the t-shirts on the Spreadshirt website there is rather a lot of stuff crammed onto the back. As we were including the rather provocative code we thought it was important to also give facts to put it in context and to bring home the shocking reality of the issue. We really liked the idea of indicating the sexual nature of the obscure code through a climax style use of the word yes after each ‘service’ and contrasting this with some text explaining the cold reality. Not only would it be a conversation starter for anyone not in the know, it would also act as a kind of slap around the face for anyone who did know the code, and would hopefully inspire some empathy.

The rear of the t-shirt is then finished off with the ever growing assortment of supporter logos, thanks to all Ben’s hard work in getting everyone involved.

So finally, for those of you who are itching to know, the meaning of each of the acronyms in the code are listed here. Please be warned, however, that they are obviously of a sexual nature so if you’re a bit faint-hearted or easily offended please stop reading right here.

CLICK HERE FOR THE ANYA17 T-SHIRT CODE EXPOSED >>

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Author: Stu Jones - Graphic Designer
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October 16th 2011
Anya17 Artwork

Hi Everyone, I’m Stu and I’m responsible for creating the artwork for the Anya17 project.

Following on from the recent t-shirt launch I was going to start by telling the story behind the artwork, and follow it with an explanation of the more cryptic parts of the text on the reverse of the t-shirt.

However, before I do that I’d like to give a bit of background on my involvement in the project and the development of the visual side of things so far.

From the first time I spoke to Ben on the phone it was immediately apparent that he had a real passion for both the subject and the project. He talked at great length not only about the project but about the whole thing – the girls, the traffickers, the statistics and the horrendous reality of the situation for all those tricked into that life. All this was punctuated by some truly disturbing stories he had come across over the course of his research. By the end of the call I knew that I had to be involved. It was a combination of his passion, the great cause and his genuine trust and openness meaning I could really go to town with the artwork.

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Author: Anna Celeste Watson - Web Designer
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October 14th 2011
Anya17 T-Shirts Now Available

We are very pleased to announce that the official Anya17 t-shirts are now available to buy in the online shop on: http://anya17.spreadshirt.co.uk.

Currently available in Women’s Classic, Girlie Fit and Organic plus Men’s Classic and Organic – both with just the logo on the front or with optional back print.

You’ll have to wait for our designer Stu Jones to give you a bit more info on what the acronyms on the back design mean though, so keep ‘em peeled!!!…

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Author: Anna Celeste Watson - Web Designer
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October 14th 2011
Design for Change

I suppose its about time I introduced myself properly! I’m Anna, the Web Designer who will be creating the website to promote the amazing project that is Anya17. I am very proud to be working with my Partner Illustrator Stu Jones who created the stunningly beautiful yet provocative and disturbing logo!

Ben Kaye first rang me back in July about creating a logo, saying he had been recommended to me by someone I had never heard of and he then googled me by general location. To this day I am not sure whether it was me he was even supposed to call or if he got the wrong company, but either way I’m pretty sure it was fate! I hope that he certainly came to the right person as I have specifically been looking to get involved with more ethical and charity related web design projects, after all it must be every designers dream to do work for ‘good causes’ for the greater good of others.

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