Posts Tagged ‘Francis Vose’

Author: Ben Kaye - Librettist, Co-founder
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December 7th 2013
Second Review of Anya17 in Germany

“No champagne this evening, no Premierengeschnatter (Premiere Chatter). Only concern. And silence. Then applause, roaring loudly after seventy minutes of silence…”

 

No champagne this evening, no Premierengeschnatter. Only concern. And silence. Then applause, roaring loudly after seventy minutes of silence. No known opera evening in Meiningen Kammerspielen, for many reasons. The subject is not a unusual in musical theater: the prostitute, the prostitute. But it is not those romanticized as the Alban Berg’s Lulu or Violetta in Verdi’s “La Traviata”. Instead, it’s about young flesh, fresh from Eastern Europe, numbered. Thus, no suitor has to bother with pesky name when he ordered the goods woman.

Forced prostitution. To raise this issue on a stage as well, as it creates through the means of music that pretends less images rather in the minds of the audience that has to Adam Gorb not a composer still married. “Anya 17″ has the Briton called his chamber opera, translation superfluous, as superfluous as the concrete location of the plot. Anya’s story could play anywhere between Eastern and Western Europe: A poor girl who loves for the first time. Want to believe the nice thing about this life in the West, which promises you the beloved. And then without it ending up in a dump. For money to buy, day and night.

Tell that everything is from the perspective of women to men has librettist Ben Kaye the marginal roles intended for, ugly roles: love vorgaukelnde decoy Uri that sex with love be confused Free Gabriel (both parts sung by Rodrigo Porras Garulo) and the brutal pimp Viktor . Stephanos Tsirakoglou shows him as a patronizing dealer who supplies the market only what this requires. And for that the hand is staying.

The market wants girls like Anya, whose dismay flashes her fate from each shooed views from every gesture, from each desperate tone of Anne Ellersiek. He also wants girls like Natalia (Carolina Krogius), happy girls, raped by father, clarified by strangers at age ten, twelve working the streets. He wants girls like the blind Elena (Camila Ribero-Souza), bruised resigned to their existence. But he does not want a girl like Mila (Elif Aytekin) whose body apparently suffers from this market than for a Free favor could find him. The reason has to die is disposed of.

Director Mareike Zimmermann leaves the four women occur in nude Suites, like bathing suits with sewn breasts and buttocks. The alienated, makes the scenes appear grotesque. The sex is just as ugly as those men who thus make a deal in this oppressive intensive production. The viewer comes when looking at the stage like a voyeur before looking to a container with mirror foil, the times reflected, sometimes gives a view of the scene free.

What happens twice in the music Gorb that makes kicks and punches audible. According opulent with two musicians on percussion is the fifteen-member Court Orchestra under the direction of the first Kapellmeister Leo McFall occupied. It leads – enriched with quotes – sound in two opposite spheres. After kicking off with folklore bonds it changes with the flight to the West. Commented it the glittering world of the goods ironically with Broadway and jazz. In the score, there are so cliché, as well as on stage plenty of cliche-affected can be seen, the touched yet or perhaps because. At the end of a little hope for Anya.

More still affected after all the pain, blood, fear. No known opera evening.

Further performances on 8./14. December 10 January 8 February every 20 clock

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Author: Ben Kaye - Librettist, Co-founder
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October 13th 2011
United Nations

Ben Kaye from Anya17 meets Aranka and Syria from The United Nations (UN-GIFT) in London Oct 2011

It was wonderful to finally meet Siria and Aranka from UN.GIFT, with whom I had been liaising for so long before we had an informal get together this week in London. It was particularly poignant also to meet at the BFI Southbank, where the Composer Adam Gorb and I had so many meetings thrashing out the Opera.

Siria and Aranka had just flown over from Vienna on a very busy schedule indeed and were due to fly across the globe the next day, so it was great to catch up. UN.GIFT are about to launch (amongst many other things) a new Human Trafficking leaflet and would very much appreciate feedback from UK NGOs before publication, so if you don’t have their contact details then please do get in touch asap.

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Author: Ben Kaye - Librettist, Co-founder
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September 11th 2011
Anya17 Documentary Gets Go-Ahead

Following a very successful meeting in Liverpool on Friday, I can finally reveal that the Documentary on ‘the making of’ the Opera Anya17 is all set to go.

For new visitors to this blog, ‘Anya17’ is the first Opera to dramatically explore the issue of Sex Trafficking in the UK and will premiere with The Royal Liverpool Philharmonic Ensemble 10/10 and the RNCM (Royal Northern College of Music) on March 7th 2012. Anya 17 is backed by eight UK / international Charities and The United Nations (UN.GIFT).

The Documentary’s Producer is to be the multi-award-winning Francis Vose, who with three BAFTAs to his name and a strong ethical approach is sure to guide this exciting project to a triumphant conclusion. The film’s Director will be selected shortly from the best of final year Film students from Liverpool Hope University.

Already on board to distribute the Documentary is ‘Unchosen’, a Charity which organises Film Festivals around the UK to raise awareness of Trafficking issues.

The Royal Liverpool Philharmonic and the RNCM have been most generous in providing filming permissions, offering unrivalled ‘behind-the-scenes’ access for the Documentary which will blend the Opera making process with the issues which inspired it.

Whilst somewhat exhausted from the 560 mile round trip to Liverpool, I am delighted with this result which heralds wonderful opportunities to spread the message to a wider audience.

Over the coming weeks and months I will explain ‘what it takes’ to write an Opera, as well as keeping you up to date with the auditions, rehearsals and other behind-the-scenes information including interviews with the Documentary Producer and Director, the Composer, Opera soloists and musicians.

Until next time…

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