Posts Tagged ‘Music’

Author: Ben Kaye - Librettist, Co-founder
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May 21st 2015
“Riveting Art”

ANYA17 makes the “Best” List of the Bay Area’s Classical Music Scene for 2014.

 

“Anya 17, a modern treatment of sexual slavery and trafficking, was premiered by Opera Parallele last June. This gifted opera company has moved from edgy productions of twentieth century to their second premiere, and it was a humdinger.

 

A multi-layered score by British composer Adam Gorb and a haunting libretto by Ben Kaye took this most uncomfortable subject and turned it into riveting art. Go to anything this company does. Anything!”

 

 

Repeat Performances

Online reviews of events in the San Francisco Bay area and beyond…

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Author: Ben Kaye - Librettist, Co-founder
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July 2nd 2014
Four men and a woman have been jailed for conspiring to traffic women into the UK for sexual exploitation.

The gang trafficked more than 100 women into the UK, some of whom were forced into prostitution and raped…

 

It couldn’t happen here in the UK, could it?

Story here…

 

I’m assuming that WordPress will not work to display this link, so here is the link in full:

http://www.bbc.co.uk/news/uk-england-london-28123869

 

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Author: Ben Kaye - Librettist, Co-founder
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June 25th 2014
Audience reaction to Anya17 in San Francisco

 

“It is an extraordinarily powerful and emotional work. A tough and uncompromising story and the fact that it was in the form of an opera seemed as natural as breathing. There has never been anything like this on stage in San Francisco. Bravo a tutti at Opera Parallele.
While we were in the theatre some very young women being held as sex slaves were rescued in a trafficking sting mere blocks away. “
Mike – 23 June

“STRONGLY recommend ANYA 17. Today at 4pm is the last show, if you haven’t seen it go get your tickets. It’s more than just an opera… it’s an amazing, eye-opening msg bringing awareness around human trafficking… I saw it on FRIDAY and I am still thinking of it. THANK YOU Opera Parallele for bringing awareness on such an important subject to our community through music and theater.”
Raeeka – 22 June

“I saw Anya 17 tonight. I want to say amazing, but in truth it was difficult and disturbing. I think that is the point… Congratulations to you and everyone else for such a difficult piece.”
Quincy – 22 June

“Really proud of Opera Parallele…they are doing important things. Experienced a great piece of theatre tonight.”
Leah – 20 June

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Author: Ben Kaye - Librettist, Co-founder
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December 7th 2013
Second Review of Anya17 in Germany

“No champagne this evening, no Premierengeschnatter (Premiere Chatter). Only concern. And silence. Then applause, roaring loudly after seventy minutes of silence…”

 

No champagne this evening, no Premierengeschnatter. Only concern. And silence. Then applause, roaring loudly after seventy minutes of silence. No known opera evening in Meiningen Kammerspielen, for many reasons. The subject is not a unusual in musical theater: the prostitute, the prostitute. But it is not those romanticized as the Alban Berg’s Lulu or Violetta in Verdi’s “La Traviata”. Instead, it’s about young flesh, fresh from Eastern Europe, numbered. Thus, no suitor has to bother with pesky name when he ordered the goods woman.

Forced prostitution. To raise this issue on a stage as well, as it creates through the means of music that pretends less images rather in the minds of the audience that has to Adam Gorb not a composer still married. “Anya 17″ has the Briton called his chamber opera, translation superfluous, as superfluous as the concrete location of the plot. Anya’s story could play anywhere between Eastern and Western Europe: A poor girl who loves for the first time. Want to believe the nice thing about this life in the West, which promises you the beloved. And then without it ending up in a dump. For money to buy, day and night.

Tell that everything is from the perspective of women to men has librettist Ben Kaye the marginal roles intended for, ugly roles: love vorgaukelnde decoy Uri that sex with love be confused Free Gabriel (both parts sung by Rodrigo Porras Garulo) and the brutal pimp Viktor . Stephanos Tsirakoglou shows him as a patronizing dealer who supplies the market only what this requires. And for that the hand is staying.

The market wants girls like Anya, whose dismay flashes her fate from each shooed views from every gesture, from each desperate tone of Anne Ellersiek. He also wants girls like Natalia (Carolina Krogius), happy girls, raped by father, clarified by strangers at age ten, twelve working the streets. He wants girls like the blind Elena (Camila Ribero-Souza), bruised resigned to their existence. But he does not want a girl like Mila (Elif Aytekin) whose body apparently suffers from this market than for a Free favor could find him. The reason has to die is disposed of.

Director Mareike Zimmermann leaves the four women occur in nude Suites, like bathing suits with sewn breasts and buttocks. The alienated, makes the scenes appear grotesque. The sex is just as ugly as those men who thus make a deal in this oppressive intensive production. The viewer comes when looking at the stage like a voyeur before looking to a container with mirror foil, the times reflected, sometimes gives a view of the scene free.

What happens twice in the music Gorb that makes kicks and punches audible. According opulent with two musicians on percussion is the fifteen-member Court Orchestra under the direction of the first Kapellmeister Leo McFall occupied. It leads – enriched with quotes – sound in two opposite spheres. After kicking off with folklore bonds it changes with the flight to the West. Commented it the glittering world of the goods ironically with Broadway and jazz. In the score, there are so cliché, as well as on stage plenty of cliche-affected can be seen, the touched yet or perhaps because. At the end of a little hope for Anya.

More still affected after all the pain, blood, fear. No known opera evening.

Further performances on 8./14. December 10 January 8 February every 20 clock

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Author: Hayley Chappell - Online Marketer
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December 2nd 2011
Anya17: The Cast

Following the recent auditions for Anya 17 we are pleased to announce the following cast and production team.

THE CAST
Anya                                Andrea Tweedale
Mila                                  Joanne Holton
Natalia/Carole               Lucy Baines
Elena                               Amy Webber
Gabriel/Uri                     Sean Boyes
Viktor                             Thomas Hopkinson

Conductor: Clark Rundell
Director: Caroline Clegg

Première performance in Liverpool on Wednesday 7 March 2012. Further performance at RNCM in Manchester on Friday 9 March 2012.

The audition panel wish to congratulate all who auditioned for the high standard of preparation and presentation.

If you would like more information about the roles in Anya 17, visit our cast page.

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Author: Ben Kaye - Librettist, Co-founder
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November 4th 2011
Anya17 Auditions: It’s tough being an X Factor judge

Hopeful auditionee for the role of Natalia

Being an X Factor judge isn’t as easy as it seems! The harsh reality of picking and choosing between talented performers became all too clear as I sat, somewhat the judging novice, on the panel at Monday night’s Anya17 auditions at the RNCM in Manchester. Whilst neither spray tans nor capped teeth were in evidence amongst the august panel, the many talented performers gave it their all for nearly four hours under the unforgiving gaze of the camera and the expert judges.

Completing the panel and amply compensating for my complete lack of judging experience were Anya17’s Composer Adam Gorb, Clark Rundell and Stephan Janski.

Stephan’s friendly and encouraging style belied his extensive experience and much-praised work with Glyndebourne Festival and Touring Opera, ENO, Scottish Opera, Los Angeles Opera, Ryedale Festival and many others. Now Head of RNCM Opera (and a fantastic Librettist to boot), Stephan inspired some wonderful performances on the night.

Surely winning the prize for the longest title however, Clark Rundell, (Director of Contemporary Music and Head of Conducting at the RNCM, and Artistic Director of the Royal Liverpool Philharmonic’s new music group, Ensemble 10/10), was as knowledgeable as he was incisive. A good thing too, as attempting to choose between the many extraordinary and well-prepared performances would have left me at a complete loss!

It's tough being a X Factor judge - Ben Kaye - Stephan Janski - Adam Gorb - Clark Rundell

Decisions had to be made however, and we will announce the cast line-up very shortly! (So make sure you’re checking back here and on our Facebook page and Twitter feed for all the latest developments.)

Monday also marked the start of filming for the Anya17 Documentary. James from Shilton Photo Film was kept busy for most of the day nimbly chasing light, angles and a variety of interviewees across the vast, labyrinthine landscape of the RNCM whilst burdened with a mountain of gear that would have soon had me screaming for the nearest Sherpa! Thank you also to Tina and Lara from City Hearts for taking part and also to Hope for Justice for finding the time to be with us.

That’s about all for now. In my next blog I will be introducing the talented singers who will become the cast of Anya17, and, if there’s space, I also hope to share my experiences at Unchosen’s latest screening at the LSE in London…

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Author: Ben Kaye - Librettist, Co-founder
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October 2nd 2011
Anya17 Nominated for Award!

It was a huge surprise when I heard that ‘Anya17’ has already been nominated for an award!

Despite the fact that the premiere of Anya17 is not until March 7th next year, the Libretto for the Opera has been circulating amongst the Charity community in the UK and abroad, and the result seems to have been a nomination for a HTF Media award at The House of Lords in October!

Let’s not get too excited here, because not only is there ‘many a slip twixt cup and lip’ but also some technicality over dates may make us ineligible both for the Awards for this year, and unfortunately for 2012, but the nomination itself is a great emotional boost to all of us who have worked so hard and for so long on this project – some since 2009. Without Adam Gorb, the RNCM, The Royal Liverpool Philharmonic, Liverpool Hope University, Anna, Stu, Lauren, the UN, the supporting Charities, MPs, MEPs and the BBC, what we may have had here could have just have been a still-born dream.

Before I go into full ‘Awards Ceremony Mode’ therefore and start thanking my Agent (who doesn’t exist), my Mother (who definitely does) and my Deity (the Jury’s still out on that one), I would sincerely like to thank all of you for nurturing some nebulous genus of an idea and helped the project to get this far.

Surely the plaudits though must go to my hairdresser…

Well done everyone!

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