Posts Tagged ‘R.N.C.M. Royal Nothern College of Music’

Author: Ben Kaye - Librettist, Co-founder
Tags: , , , , , , , , , , , ,

December 6th 2011
Anya17: Exclusive behind the scenes footage

The recent Anya17 auditions at the RNCM were universally of such a high standard that it made the selection process almost impossible. To give you a taste of the range of impressive talent at the RNCM, I thought it worth posting some ‘behind the scenes’ un-edited Documentary footage.

This clip (courtesy of Shilton Photo Film) features one audition for the role of Natalia, whose highly unusual and disturbing aria, almost a ‘Broadway parody’ juxtaposes the contemporary / classical nature of the rest of the Opera. The astoundingly talented Frances Marshfield gave an unforgettable performance which left the panel almost lost for words.

This melodic, upbeat composition is also in shocking contrast with its lyrical content, which relates Natalia’s cruel introduction to the world of  sexual exploitation.

Please note that this performance contains subject matter which some viewers may find disturbing.

This post is password protected. Enter the password to view comments.

Author: Hayley Chappell - Online Marketer
Tags: , , , , , , , , , , , , , ,

December 2nd 2011
Anya17: The Cast

Following the recent auditions for Anya 17 we are pleased to announce the following cast and production team.

THE CAST
Anya                                Andrea Tweedale
Mila                                  Joanne Holton
Natalia/Carole               Lucy Baines
Elena                               Amy Webber
Gabriel/Uri                     Sean Boyes
Viktor                             Thomas Hopkinson

Conductor: Clark Rundell
Director: Caroline Clegg

Première performance in Liverpool on Wednesday 7 March 2012. Further performance at RNCM in Manchester on Friday 9 March 2012.

The audition panel wish to congratulate all who auditioned for the high standard of preparation and presentation.

If you would like more information about the roles in Anya 17, visit our cast page.

This post is password protected. Enter the password to view comments.

Author: Ben Kaye - Librettist, Co-founder
Tags: , , , , , , , , ,

November 30th 2011
Anya17: Caroline Clegg to direct Anya17

Caroline Clegg to direct Anya17

I am absolutely delighted to announce that the Director of the highly successful play ‘Slave – A Question of Freedom’ is now to direct Anya17.

Caroline Clegg is an Actor, Freelance Director and Artistic Director of Feelgood Theatre Productions

Caroline’s recent adaptation of Mende Nazer’s autobiography and subsequent direction of the resulting play, ‘Slave…’ won the Pete Postlethwaite Award for Best New Play in 2011 following its world premiere at The Lowry in November 2010. Subsequently it was performed in the House of Lords and transferred to the Riverside Studios in Hammersmith, the Unity Theatre Liverpool and International Slavery Museum and the Guildhall in Derby. Plans for 2012/13 include performing at the UN and in the USA.

With the Play lauded by both public and critics alike, Caroline is looking forward to the new challenge of directing Anya17:

“I am delighted to be working on Anya17 to highlight the abhorrent crime of trafficking women into sexual slavery. My journey on Slave – A Question of Freedom led me to some very dark places and I experienced audiences identifying with the true horror of slavery in the 21st century through bearing witness to the testimony of one person’s story.

The transformative effect and power of live theatre and music can change hearts and minds and I have been privileged to see that power in action. I feel honoured to be able to continue to use my craft as a story teller on Anya17 and most importantly to give voice to the voiceless.

There are 27 million slaves alive today, more than were stolen from Africa in four centuries of the transatlantic slave trade. Today, men, women and children are being trafficked all over the world by gangs in highly organised illegal, dangerous and secretive operations. We have the capacity to end trafficking and slavery in our lifetime and fight for a world without human bondage, a world where vulnerable people are not bought and sold. Together, we can and must take action; we have no excuse to turn away.”

We are all very excited to have such an experienced and well-respected Director on board, particularly one already so immersed in the subject matter and dedicated to using the Arts to bring the crime of modern day Slavery into the public eye.

This post is password protected. Enter the password to view comments.

Author: Ben Kaye - Librettist, Co-founder
Tags: , , , , , , , , , , , , , , , , ,

November 4th 2011
Anya17 Auditions: It’s tough being an X Factor judge

Hopeful auditionee for the role of Natalia

Being an X Factor judge isn’t as easy as it seems! The harsh reality of picking and choosing between talented performers became all too clear as I sat, somewhat the judging novice, on the panel at Monday night’s Anya17 auditions at the RNCM in Manchester. Whilst neither spray tans nor capped teeth were in evidence amongst the august panel, the many talented performers gave it their all for nearly four hours under the unforgiving gaze of the camera and the expert judges.

Completing the panel and amply compensating for my complete lack of judging experience were Anya17’s Composer Adam Gorb, Clark Rundell and Stephan Janski.

Stephan’s friendly and encouraging style belied his extensive experience and much-praised work with Glyndebourne Festival and Touring Opera, ENO, Scottish Opera, Los Angeles Opera, Ryedale Festival and many others. Now Head of RNCM Opera (and a fantastic Librettist to boot), Stephan inspired some wonderful performances on the night.

Surely winning the prize for the longest title however, Clark Rundell, (Director of Contemporary Music and Head of Conducting at the RNCM, and Artistic Director of the Royal Liverpool Philharmonic’s new music group, Ensemble 10/10), was as knowledgeable as he was incisive. A good thing too, as attempting to choose between the many extraordinary and well-prepared performances would have left me at a complete loss!

It's tough being a X Factor judge - Ben Kaye - Stephan Janski - Adam Gorb - Clark Rundell

Decisions had to be made however, and we will announce the cast line-up very shortly! (So make sure you’re checking back here and on our Facebook page and Twitter feed for all the latest developments.)

Monday also marked the start of filming for the Anya17 Documentary. James from Shilton Photo Film was kept busy for most of the day nimbly chasing light, angles and a variety of interviewees across the vast, labyrinthine landscape of the RNCM whilst burdened with a mountain of gear that would have soon had me screaming for the nearest Sherpa! Thank you also to Tina and Lara from City Hearts for taking part and also to Hope for Justice for finding the time to be with us.

That’s about all for now. In my next blog I will be introducing the talented singers who will become the cast of Anya17, and, if there’s space, I also hope to share my experiences at Unchosen’s latest screening at the LSE in London…

This post is password protected. Enter the password to view comments.

Author: Ben Kaye - Librettist, Co-founder
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

October 6th 2011
Invitation to No. 10 Downing Street

With the various musical collaborations I have been involved with over the past few years, some moments really stick in my mind. Hearing my words set to music for the very first time was a big one. JAM made it all come true for me at Southwark Cathedral with Paul Patterson’s ‘The Fifth Continent’ and I will never forget that first opportunity, nor that evening. JAM has a superb run of concerts touring Scotland this month by the way, so do visit http://www.jamconcert.org to find out more.

I have to admit (with a great sense of shame) that other highlights include the first BBC broadcasts and even being asked for my autograph for the first time. Very vain I know – but not easily forgotten – nor ever repeated! Better by far were the hugs I received from bereaved families at the ‘Eternal Voices’ concert last year for the fallen in Afghanistan, and hearing ‘Thoughts Scribbled on a Blank Wall’ at Westminster (again through JAM) was a pretty humbling experience.

Official praise is great too; perhaps the curse of writers everywhere. Two days ago an envelope landed on my doormat. It was an invitation to meet the Prime Minister at No. 10 Downing Street later this month in recognition of all that Adam Gorb, myself and the volunteers have done to bring this project to fruition.

With a budget of £0.00 and having to search for loose change between the sofa cushions just to travel to meetings, do the research etc. I may even have to shave for this one…

This post is password protected. Enter the password to view comments.