Posts Tagged ‘RNCM’

Author: Ben Kaye - Librettist, Co-founder
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June 25th 2014
Audience reaction to Anya17 in San Francisco

 

“It is an extraordinarily powerful and emotional work. A tough and uncompromising story and the fact that it was in the form of an opera seemed as natural as breathing. There has never been anything like this on stage in San Francisco. Bravo a tutti at Opera Parallele.
While we were in the theatre some very young women being held as sex slaves were rescued in a trafficking sting mere blocks away. “
Mike – 23 June

“STRONGLY recommend ANYA 17. Today at 4pm is the last show, if you haven’t seen it go get your tickets. It’s more than just an opera… it’s an amazing, eye-opening msg bringing awareness around human trafficking… I saw it on FRIDAY and I am still thinking of it. THANK YOU Opera Parallele for bringing awareness on such an important subject to our community through music and theater.”
Raeeka – 22 June

“I saw Anya 17 tonight. I want to say amazing, but in truth it was difficult and disturbing. I think that is the point… Congratulations to you and everyone else for such a difficult piece.”
Quincy – 22 June

“Really proud of Opera Parallele…they are doing important things. Experienced a great piece of theatre tonight.”
Leah – 20 June

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Author: Ben Kaye - Librettist, Co-founder
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November 26th 2013
Stunning Full Dress Rehearsal of Anya17 in Germany

I was privileged to be at an extraordinary event last night; the first fully-staged dress rehearsal of Anya17 performed by the truly talented international cast and musicians of Das Meininger Theater.

To say that the performance took my breath away would be a master-stroke of British understatement.

Nearly 24 hours later, I still haven’t had the time to fully absorb the power of the show, and revise my appraisal from a series of stammering superlatives to a more objective view. I just can’t begin to describe it.

Adam Gorb and I spent a portion of this morning doing a Radio follow-up to an earlier TV interview – I’ll let you know if either will be available on the net.

In the meantime – another full run-through tonight, so more news tomorrow!

The blinded Elena (Camila Ribero-Souza) drinks as Anya (Anne Ellersiek) tries to come to terms with her plight

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Author: Ben Kaye - Librettist, Co-founder
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October 26th 2013
“Mein Name ist Anya” – Anya17 highlights Human Trafficking in Deutsche Zeitung and is invited to “go national” across Romania

We couldn’t be more delighted that the Romanian premiere of Anya17 prompted a fact-based report on Human Trafficking in Deutsche Zeitung (Romanian Edition).

Following the performance, the President of Pro Prieyenia Arad (a partner in the performance) received a call from the Ministry of Internal Affairs in Bucharest, inviting Pro Prieyenia Arad and The Friendship Foundation (UK – Romania) to go national with both the Anti-Trafficking Symposium and Anya17! We couldn’t possibly have hoped for a better result!

On that note, it was also wonderful to hear about individual audience experiences of Anya17. The following is typical:

“The standing ovation, which followed what seems like minutes of ‘gob-smacked’ silence, indicated the general audience response. A senior police office from South Africa declared to me the following day that the opera had changed the direction of his vocation.”

Let’s all keep our fingers crossed and hope that in addition to Romania, Germany (Nov 28th), San Francisco (next year) that Anya17 continues to raise awareness of the horrors of Human Trafficking.

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Author: Ben Kaye - Librettist, Co-founder
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October 22nd 2013
Amy Webber’s thoughts on the Romanian premiere of Anya17

Performing Anya 17 in a country where more women and children are trafficked for sex slavery than any other Eastern European country was extremely poignant.

For me, it brought an even deeper level of emotional engagement and the back story of my character became even more detailed. Seeing all the delegates from the Anti Human Trafficking conference and members of numerous trafficking charities in the audience also made the story become deeper. Everyone in that Philharmonic Hall was fighting against the same thing – human trafficking and slavery. This made the whole experience very powerful and the opera more relevant than ever before.

I always cry at the end of my aria in Anya 17 and also at the end of the opera, and this time, I cried even more. When the audience gave a standing ovation and the whole cast, crew and orchestra were taking bows on stage, the applause was saying more than just “what a great performance” but also “let us all continue the fight”. What more thrill could you want as a performer than being involved in something that is an art AND a campaign for change?

Of course, teaming up with a Romanian conductor, orchestra and half a Romanian cast also made the experience more interesting. Their rehearsal techniques and structure is different. And their way of approaching and learning contemporary music is also very different. They were all extremely friendly and really welcomed us to their country and culture.

Overall, it was a fantastic experience for all involved and we really hope we can continue to perform it all over the UK and the world.

Amy Webber plays the part of Elena

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Author: Ben Kaye - Librettist, Co-founder
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October 14th 2013
Three Days to Anya17 in Romania…

Timisoara

Timisoara

With just three days to go now before the Romanian premiere of Anya17 in Timisoara on the eve of Anti-Slavery Day, I am delighted to hear that rehearsals are going very well and that the Director (Caroline Clegg), the Cast and Musicians are all in good spirits.

Whilst I would very much like to be with the Composer Adam Gorb and with you all in Romania, there is much here left to be done, evidenced by this new Guardian report on Human Trafficking going on under our very noses in the UK today.

Good luck (Toi Toi Toi) to all the Anya17 Team in Romania!

 

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Author: Ben Kaye - Librettist, Co-founder
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October 4th 2013
Details of Anya17 in Romania – October 17th 2013

Details of the imminent International Symposium on Human Trafficking in (Romania October 14th to 18th) and the Romanian premiere of Anya17

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Author: Hayley Chappell - Online Marketer
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March 5th 2012
Win an Anya17 T-Shirt

It’s premiere week at Anya17 and while the cast and musicians have the final few rehearsals you could be in with a chance to win one of the fantastic Anya17 T-Shirts designed by Stu Jones.

To be in with a chance to win a T-Shirt all you need to do is answer this simple question:

Q: Who plays the lead role of Anya in the opera Anya17?

The answer can be found on the website at www.anya17.co.uk. If you know (or find!) the answer, simply comment on this post with your answer. (All comments are approved before they appear on the blog so no comments relating to this post will be approved until after we have revealed the answer and announced a winner.)

Competition closes Saturday 10th March 2012.

Read Stu Jones’ original post revealing the truth behind the T-Shirt design.

Winners will have the choice between a T-Shirt with the full back design or with the front logo only.

We will also be running a Twitter only competition which we will announce details of later this week!

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Author: Caroline Clegg - Director
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February 15th 2012
Anya17: Director Caroline Clegg’s invitation to listen to the survivors

I would firstly like to express my gratitude to the extraordinary young women that we met at the recent Charity visit and to the volunteers and all good men and women who continue to give not only their time and resources, but “a part of their hearts” to people who have suffered at the hands of traffickers, slave gang masters and, often times, their own family members.

I have been involved in creating theatre work on the issue of slavery – and that is what trafficking is – for five years now. Firstly in creating Slave – A Question of Freedom; secondly a new piece of drama on grooming, Takeaway Teenager (June 2012) and presently Anya17 and I can say that the reality still continues to shock me intensely. I am saddened daily at the slowness of change which results in more people like the women we met suffering.

Sometimes the sadness translates into feeling impotent, despondent and ineffective as an artist. I wonder if we really contribute to making a difference. We are simply translators. We make choices of how to present someone’s story and throughout the creative process we develop a narrative that we hope will provoke, relate and reveal, in this case the underground world of buying and selling girls as sex slaves.

Once we have a show we hope that the audience will bear witness, become reactive and perhaps demand that more be done to stop this trade in humans. But will they?

For some, the opera or play may stay in mind for as long as it takes to drink a gin and tonic at the bar. For others it will it be like reading the newspaper; a repulsive story for a few moments but once read it will be discarded because it is not an issue that affects them and there is the mortgage to be paid, the kids need new shoes and yes whilst it’s very sad, there is nothing we can do is there…. Is there?

But perhaps it could help people to listen and listen with hearing and understanding ears to their stories until we, governments and security forces can’t pretend to be deaf anymore?

I don’t believe that not listening because it is too upsetting is an option, because only in hearing will those who have been trafficked gain freedom and justice.

Imagine listening to a girl; someone’s daughter, someone’s mother, someone’s sister, telling you that they had met a man, fallen head over heels in love and followed her boyfriend or by now fiancé to a new place to make a life for themselves.

When they arrive at that place she is beaten into submission, half starved, drugged and locked in a room where up to thirty men have sex with her every day. There could be a girl like that living on your street.

There are thousands of girls (and boys) in the UK now in this situation and they need help. During the recent Charity visit I had the privilege to meet three incredible women who had escaped and survived similar terror. The effect of meeting them was not only deeply humbling but emotionally challenging and thank God, because it stoked and renewed my anger and determination to give voice to their testimony and celebrate not only their dignity and courage but their indomitable will to survive and to rebuild their lives. After five years of work in this area you would think that you would be immune, that you had heard every possible horror. But every girl or boy is an individual human being with equal rights as you and I and part of his or her life has been stolen and they deserve to be heard.

Thank you again to the Charity and especially thank you to the remarkable young women for allowing me to sit and bear witness to your stories, to share a cup of tea and cake with you and see you smile especially as you told us of being reunited with your children and families. But mostly, thank you for distressing and disturbing me and for giving me a chance to listen and react.

As I re-read the opera that night, tears streamed down my face as the girl’s stories became embedded in the notes on the page. The screams within the melody were their screams loud and clear and the silent bars of violence, rape, murder and degradation were the silenced voices of those still enslaved.

I am realistic enough to know that an opera will not stop the sex trade and it will not stop men wanting to go to a brothel. But I do know that if you watch Anya17 you will be changed and with change comes action, and with action those at this Charity and others around the world will have a voice.

As I said above, as artists we are simply translators of stories which we then present on stage to give their voice a platform on which to be heard.

Please come and listen and ensure that those who have escaped, the survivors, are not victims but victors. It is our duty to keep this issue on the front pages and in the forefront of the minds of politicians who have the power to make real change.

Thank you for reading.
Caroline Clegg

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Author: Ben Kaye - Librettist, Co-founder
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December 6th 2011
Anya17: Exclusive behind the scenes footage

The recent Anya17 auditions at the RNCM were universally of such a high standard that it made the selection process almost impossible. To give you a taste of the range of impressive talent at the RNCM, I thought it worth posting some ‘behind the scenes’ un-edited Documentary footage.

This clip (courtesy of Shilton Photo Film) features one audition for the role of Natalia, whose highly unusual and disturbing aria, almost a ‘Broadway parody’ juxtaposes the contemporary / classical nature of the rest of the Opera. The astoundingly talented Frances Marshfield gave an unforgettable performance which left the panel almost lost for words.

This melodic, upbeat composition is also in shocking contrast with its lyrical content, which relates Natalia’s cruel introduction to the world of  sexual exploitation.

Please note that this performance contains subject matter which some viewers may find disturbing.

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Author: Hayley Chappell - Online Marketer
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December 2nd 2011
Anya17: The Cast

Following the recent auditions for Anya 17 we are pleased to announce the following cast and production team.

THE CAST
Anya                                Andrea Tweedale
Mila                                  Joanne Holton
Natalia/Carole               Lucy Baines
Elena                               Amy Webber
Gabriel/Uri                     Sean Boyes
Viktor                             Thomas Hopkinson

Conductor: Clark Rundell
Director: Caroline Clegg

Première performance in Liverpool on Wednesday 7 March 2012. Further performance at RNCM in Manchester on Friday 9 March 2012.

The audition panel wish to congratulate all who auditioned for the high standard of preparation and presentation.

If you would like more information about the roles in Anya 17, visit our cast page.

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