Posts Tagged ‘Royal Liverpool Philharmonic’

Author: Ben Kaye - Librettist, Co-founder
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July 2nd 2014
Four men and a woman have been jailed for conspiring to traffic women into the UK for sexual exploitation.

The gang trafficked more than 100 women into the UK, some of whom were forced into prostitution and raped…

 

It couldn’t happen here in the UK, could it?

Story here…

 

I’m assuming that WordPress will not work to display this link, so here is the link in full:

http://www.bbc.co.uk/news/uk-england-london-28123869

 

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Author: Ben Kaye - Librettist, Co-founder
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June 25th 2014
Audience reaction to Anya17 in San Francisco

 

“It is an extraordinarily powerful and emotional work. A tough and uncompromising story and the fact that it was in the form of an opera seemed as natural as breathing. There has never been anything like this on stage in San Francisco. Bravo a tutti at Opera Parallele.
While we were in the theatre some very young women being held as sex slaves were rescued in a trafficking sting mere blocks away. “
Mike – 23 June

“STRONGLY recommend ANYA 17. Today at 4pm is the last show, if you haven’t seen it go get your tickets. It’s more than just an opera… it’s an amazing, eye-opening msg bringing awareness around human trafficking… I saw it on FRIDAY and I am still thinking of it. THANK YOU Opera Parallele for bringing awareness on such an important subject to our community through music and theater.”
Raeeka – 22 June

“I saw Anya 17 tonight. I want to say amazing, but in truth it was difficult and disturbing. I think that is the point… Congratulations to you and everyone else for such a difficult piece.”
Quincy – 22 June

“Really proud of Opera Parallele…they are doing important things. Experienced a great piece of theatre tonight.”
Leah – 20 June

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Author: Ben Kaye - Librettist, Co-founder
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December 7th 2013
Second Review of Anya17 in Germany

“No champagne this evening, no Premierengeschnatter (Premiere Chatter). Only concern. And silence. Then applause, roaring loudly after seventy minutes of silence…”

 

No champagne this evening, no Premierengeschnatter. Only concern. And silence. Then applause, roaring loudly after seventy minutes of silence. No known opera evening in Meiningen Kammerspielen, for many reasons. The subject is not a unusual in musical theater: the prostitute, the prostitute. But it is not those romanticized as the Alban Berg’s Lulu or Violetta in Verdi’s “La Traviata”. Instead, it’s about young flesh, fresh from Eastern Europe, numbered. Thus, no suitor has to bother with pesky name when he ordered the goods woman.

Forced prostitution. To raise this issue on a stage as well, as it creates through the means of music that pretends less images rather in the minds of the audience that has to Adam Gorb not a composer still married. “Anya 17″ has the Briton called his chamber opera, translation superfluous, as superfluous as the concrete location of the plot. Anya’s story could play anywhere between Eastern and Western Europe: A poor girl who loves for the first time. Want to believe the nice thing about this life in the West, which promises you the beloved. And then without it ending up in a dump. For money to buy, day and night.

Tell that everything is from the perspective of women to men has librettist Ben Kaye the marginal roles intended for, ugly roles: love vorgaukelnde decoy Uri that sex with love be confused Free Gabriel (both parts sung by Rodrigo Porras Garulo) and the brutal pimp Viktor . Stephanos Tsirakoglou shows him as a patronizing dealer who supplies the market only what this requires. And for that the hand is staying.

The market wants girls like Anya, whose dismay flashes her fate from each shooed views from every gesture, from each desperate tone of Anne Ellersiek. He also wants girls like Natalia (Carolina Krogius), happy girls, raped by father, clarified by strangers at age ten, twelve working the streets. He wants girls like the blind Elena (Camila Ribero-Souza), bruised resigned to their existence. But he does not want a girl like Mila (Elif Aytekin) whose body apparently suffers from this market than for a Free favor could find him. The reason has to die is disposed of.

Director Mareike Zimmermann leaves the four women occur in nude Suites, like bathing suits with sewn breasts and buttocks. The alienated, makes the scenes appear grotesque. The sex is just as ugly as those men who thus make a deal in this oppressive intensive production. The viewer comes when looking at the stage like a voyeur before looking to a container with mirror foil, the times reflected, sometimes gives a view of the scene free.

What happens twice in the music Gorb that makes kicks and punches audible. According opulent with two musicians on percussion is the fifteen-member Court Orchestra under the direction of the first Kapellmeister Leo McFall occupied. It leads – enriched with quotes – sound in two opposite spheres. After kicking off with folklore bonds it changes with the flight to the West. Commented it the glittering world of the goods ironically with Broadway and jazz. In the score, there are so cliché, as well as on stage plenty of cliche-affected can be seen, the touched yet or perhaps because. At the end of a little hope for Anya.

More still affected after all the pain, blood, fear. No known opera evening.

Further performances on 8./14. December 10 January 8 February every 20 clock

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Author: Ben Kaye - Librettist, Co-founder
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November 28th 2013
“I used to be… ‘beautiful Elena from Tulica’”

With the fully-staged world premiere of Anya17 less than 5 hours away, there’s just enough time for me to give you a glimpse of Camila Ribero-Souza, who plays the blinded “Elena”.

“They beat me so hard… I thought I would die. Then, I hoped they wouldn’t stop – I longed for death…”

“I used to be… ‘beautiful Elena from Tulica’, now I’m just ‘The Blind Girl’…”

“At least I don’t have to look anymore at their drunken… sweating… grunting… faces…”

 

Camila Ribero-Souza plays Elena, blinded by her Traffickers

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Author: Ben Kaye - Librettist, Co-founder
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October 26th 2013
“Mein Name ist Anya” – Anya17 highlights Human Trafficking in Deutsche Zeitung and is invited to “go national” across Romania

We couldn’t be more delighted that the Romanian premiere of Anya17 prompted a fact-based report on Human Trafficking in Deutsche Zeitung (Romanian Edition).

Following the performance, the President of Pro Prieyenia Arad (a partner in the performance) received a call from the Ministry of Internal Affairs in Bucharest, inviting Pro Prieyenia Arad and The Friendship Foundation (UK – Romania) to go national with both the Anti-Trafficking Symposium and Anya17! We couldn’t possibly have hoped for a better result!

On that note, it was also wonderful to hear about individual audience experiences of Anya17. The following is typical:

“The standing ovation, which followed what seems like minutes of ‘gob-smacked’ silence, indicated the general audience response. A senior police office from South Africa declared to me the following day that the opera had changed the direction of his vocation.”

Let’s all keep our fingers crossed and hope that in addition to Romania, Germany (Nov 28th), San Francisco (next year) that Anya17 continues to raise awareness of the horrors of Human Trafficking.

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Author: Hayley Chappell - Online Marketer
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March 5th 2012
Win an Anya17 T-Shirt

It’s premiere week at Anya17 and while the cast and musicians have the final few rehearsals you could be in with a chance to win one of the fantastic Anya17 T-Shirts designed by Stu Jones.

To be in with a chance to win a T-Shirt all you need to do is answer this simple question:

Q: Who plays the lead role of Anya in the opera Anya17?

The answer can be found on the website at www.anya17.co.uk. If you know (or find!) the answer, simply comment on this post with your answer. (All comments are approved before they appear on the blog so no comments relating to this post will be approved until after we have revealed the answer and announced a winner.)

Competition closes Saturday 10th March 2012.

Read Stu Jones’ original post revealing the truth behind the T-Shirt design.

Winners will have the choice between a T-Shirt with the full back design or with the front logo only.

We will also be running a Twitter only competition which we will announce details of later this week!

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Author: Hayley Chappell - Online Marketer
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December 2nd 2011
Anya17: The Cast

Following the recent auditions for Anya 17 we are pleased to announce the following cast and production team.

THE CAST
Anya                                Andrea Tweedale
Mila                                  Joanne Holton
Natalia/Carole               Lucy Baines
Elena                               Amy Webber
Gabriel/Uri                     Sean Boyes
Viktor                             Thomas Hopkinson

Conductor: Clark Rundell
Director: Caroline Clegg

Première performance in Liverpool on Wednesday 7 March 2012. Further performance at RNCM in Manchester on Friday 9 March 2012.

The audition panel wish to congratulate all who auditioned for the high standard of preparation and presentation.

If you would like more information about the roles in Anya 17, visit our cast page.

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Author: Ben Kaye - Librettist, Co-founder
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November 4th 2011
Anya17 Auditions: It’s tough being an X Factor judge

Hopeful auditionee for the role of Natalia

Being an X Factor judge isn’t as easy as it seems! The harsh reality of picking and choosing between talented performers became all too clear as I sat, somewhat the judging novice, on the panel at Monday night’s Anya17 auditions at the RNCM in Manchester. Whilst neither spray tans nor capped teeth were in evidence amongst the august panel, the many talented performers gave it their all for nearly four hours under the unforgiving gaze of the camera and the expert judges.

Completing the panel and amply compensating for my complete lack of judging experience were Anya17’s Composer Adam Gorb, Clark Rundell and Stephan Janski.

Stephan’s friendly and encouraging style belied his extensive experience and much-praised work with Glyndebourne Festival and Touring Opera, ENO, Scottish Opera, Los Angeles Opera, Ryedale Festival and many others. Now Head of RNCM Opera (and a fantastic Librettist to boot), Stephan inspired some wonderful performances on the night.

Surely winning the prize for the longest title however, Clark Rundell, (Director of Contemporary Music and Head of Conducting at the RNCM, and Artistic Director of the Royal Liverpool Philharmonic’s new music group, Ensemble 10/10), was as knowledgeable as he was incisive. A good thing too, as attempting to choose between the many extraordinary and well-prepared performances would have left me at a complete loss!

It's tough being a X Factor judge - Ben Kaye - Stephan Janski - Adam Gorb - Clark Rundell

Decisions had to be made however, and we will announce the cast line-up very shortly! (So make sure you’re checking back here and on our Facebook page and Twitter feed for all the latest developments.)

Monday also marked the start of filming for the Anya17 Documentary. James from Shilton Photo Film was kept busy for most of the day nimbly chasing light, angles and a variety of interviewees across the vast, labyrinthine landscape of the RNCM whilst burdened with a mountain of gear that would have soon had me screaming for the nearest Sherpa! Thank you also to Tina and Lara from City Hearts for taking part and also to Hope for Justice for finding the time to be with us.

That’s about all for now. In my next blog I will be introducing the talented singers who will become the cast of Anya17, and, if there’s space, I also hope to share my experiences at Unchosen’s latest screening at the LSE in London…

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Author: Ben Kaye - Librettist, Co-founder
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October 26th 2011
House of Lords

Ben Kaye ~ Human Trafficking Foundation Chairman Anthony Steen ~ Adam Gorb ~ House of Lords

It was a great honour indeed for Adam Gorb and I to be invited to The House of Lords on October 17th to represent Anya17 at the inaugural HTF Media Awards. Never having visited Parliament before, the sense of occasion was even more heightened as we were ushered past the thousands of tourists, through the private gates and into this extraordinary centre of power, declaimed by its extravagant, almost gothic architecture and interior restrained magnificence.

Neither Parliamentary film footage nor the ubiquitous London postcards could have prepared me for the scale or opulence of The Lords. Both Adam and I though spent our time wisely though, talking with many representatives from Human Trafficking Charities and political figures about Anya17, as well as listening to speeches from Trafficking victims and media figures.

Having seen so many ‘shots’ of The Houses of Parliament from across the river it was strange to see the London Eye and so many other new landmarks from the deeply historically-entrenched perspective of The Lords. Despite the radically-altered skyline I couldn’t help but be transported back to Pepys, the Great Fire and strangely enough the freezing of The Thames, together with its accompanying Chestnut sellers, braying their wares from behind glowing braziers on the ice – such is the lot of a poet!

From an Arts perspective I was absolutely bowled over by a truly extraordinary exhibition of charcoals by the Artist Rosalie Watkins, whose powerful work portrayed a Trafficking victim ‘Kira’. If you haven’t seen these utterly exceptional works of art then you absolutely MUST visit http://www.rosaliewatkins.co.uk/rosaliewatkins.co.uk/Human_Trafficking_Project.html

In essence though our presence at The Lords was an opportunity to rouse the media and raise awareness of Sex Trafficking in particular and more generally Human Trafficking in the UK. Could I therefore take this opportunity to thank Tamlin Vickers at the HTF for the invitation following our Award nomination. Press, BBC three regions TV and much other coverage swiftly followed, including an additional promise of coverage from BBC Radio 3.

My next blog will cover my visit to No. 10 Downing Street and the possibility of a performance in Strasbourg in April courtesy of Bob Walter MP and the UK’s Presidency of The Council of Europe.

Auditions for Anya17, (and filming) begin in just over a week, so I’ll no doubt be back in touch very soon!

Oh yes… Funding! To date we have received no funding whatsoever, so if you would like to help (and incidentally become the owner of the very ‘first’ T Shirt design before it changes in a few days time) please spend the equivalent of a couple of double mocca chocca chinos and you can say that you were in at the beginning! http://anya17.spreadshirt.co.uk

Please be aware that the back of the T Shirts contain sexually explicit content appropriate to the cause. For younger wearers I recommend the ‘Front Only’ option.

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Author: Ben Kaye - Librettist, Co-founder
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October 13th 2011
United Nations

Ben Kaye from Anya17 meets Aranka and Syria from The United Nations (UN-GIFT) in London Oct 2011

It was wonderful to finally meet Siria and Aranka from UN.GIFT, with whom I had been liaising for so long before we had an informal get together this week in London. It was particularly poignant also to meet at the BFI Southbank, where the Composer Adam Gorb and I had so many meetings thrashing out the Opera.

Siria and Aranka had just flown over from Vienna on a very busy schedule indeed and were due to fly across the globe the next day, so it was great to catch up. UN.GIFT are about to launch (amongst many other things) a new Human Trafficking leaflet and would very much appreciate feedback from UK NGOs before publication, so if you don’t have their contact details then please do get in touch asap.

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