Posts Tagged ‘stu jones’

Author: Ben Kaye - Librettist, Co-founder
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May 21st 2015
“Riveting Art”

ANYA17 makes the “Best” List of the Bay Area’s Classical Music Scene for 2014.

 

“Anya 17, a modern treatment of sexual slavery and trafficking, was premiered by Opera Parallele last June. This gifted opera company has moved from edgy productions of twentieth century to their second premiere, and it was a humdinger.

 

A multi-layered score by British composer Adam Gorb and a haunting libretto by Ben Kaye took this most uncomfortable subject and turned it into riveting art. Go to anything this company does. Anything!”

 

 

Repeat Performances

Online reviews of events in the San Francisco Bay area and beyond…

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Author: Ben Kaye - Librettist, Co-founder
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July 2nd 2014
Four men and a woman have been jailed for conspiring to traffic women into the UK for sexual exploitation.

The gang trafficked more than 100 women into the UK, some of whom were forced into prostitution and raped…

 

It couldn’t happen here in the UK, could it?

Story here…

 

I’m assuming that WordPress will not work to display this link, so here is the link in full:

http://www.bbc.co.uk/news/uk-england-london-28123869

 

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Author: Ben Kaye - Librettist, Co-founder
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June 25th 2014
Audience reaction to Anya17 in San Francisco

 

“It is an extraordinarily powerful and emotional work. A tough and uncompromising story and the fact that it was in the form of an opera seemed as natural as breathing. There has never been anything like this on stage in San Francisco. Bravo a tutti at Opera Parallele.
While we were in the theatre some very young women being held as sex slaves were rescued in a trafficking sting mere blocks away. “
Mike – 23 June

“STRONGLY recommend ANYA 17. Today at 4pm is the last show, if you haven’t seen it go get your tickets. It’s more than just an opera… it’s an amazing, eye-opening msg bringing awareness around human trafficking… I saw it on FRIDAY and I am still thinking of it. THANK YOU Opera Parallele for bringing awareness on such an important subject to our community through music and theater.”
Raeeka – 22 June

“I saw Anya 17 tonight. I want to say amazing, but in truth it was difficult and disturbing. I think that is the point… Congratulations to you and everyone else for such a difficult piece.”
Quincy – 22 June

“Really proud of Opera Parallele…they are doing important things. Experienced a great piece of theatre tonight.”
Leah – 20 June

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Author: Ben Kaye - Librettist, Co-founder
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December 7th 2013
Second Review of Anya17 in Germany

“No champagne this evening, no Premierengeschnatter (Premiere Chatter). Only concern. And silence. Then applause, roaring loudly after seventy minutes of silence…”

 

No champagne this evening, no Premierengeschnatter. Only concern. And silence. Then applause, roaring loudly after seventy minutes of silence. No known opera evening in Meiningen Kammerspielen, for many reasons. The subject is not a unusual in musical theater: the prostitute, the prostitute. But it is not those romanticized as the Alban Berg’s Lulu or Violetta in Verdi’s “La Traviata”. Instead, it’s about young flesh, fresh from Eastern Europe, numbered. Thus, no suitor has to bother with pesky name when he ordered the goods woman.

Forced prostitution. To raise this issue on a stage as well, as it creates through the means of music that pretends less images rather in the minds of the audience that has to Adam Gorb not a composer still married. “Anya 17″ has the Briton called his chamber opera, translation superfluous, as superfluous as the concrete location of the plot. Anya’s story could play anywhere between Eastern and Western Europe: A poor girl who loves for the first time. Want to believe the nice thing about this life in the West, which promises you the beloved. And then without it ending up in a dump. For money to buy, day and night.

Tell that everything is from the perspective of women to men has librettist Ben Kaye the marginal roles intended for, ugly roles: love vorgaukelnde decoy Uri that sex with love be confused Free Gabriel (both parts sung by Rodrigo Porras Garulo) and the brutal pimp Viktor . Stephanos Tsirakoglou shows him as a patronizing dealer who supplies the market only what this requires. And for that the hand is staying.

The market wants girls like Anya, whose dismay flashes her fate from each shooed views from every gesture, from each desperate tone of Anne Ellersiek. He also wants girls like Natalia (Carolina Krogius), happy girls, raped by father, clarified by strangers at age ten, twelve working the streets. He wants girls like the blind Elena (Camila Ribero-Souza), bruised resigned to their existence. But he does not want a girl like Mila (Elif Aytekin) whose body apparently suffers from this market than for a Free favor could find him. The reason has to die is disposed of.

Director Mareike Zimmermann leaves the four women occur in nude Suites, like bathing suits with sewn breasts and buttocks. The alienated, makes the scenes appear grotesque. The sex is just as ugly as those men who thus make a deal in this oppressive intensive production. The viewer comes when looking at the stage like a voyeur before looking to a container with mirror foil, the times reflected, sometimes gives a view of the scene free.

What happens twice in the music Gorb that makes kicks and punches audible. According opulent with two musicians on percussion is the fifteen-member Court Orchestra under the direction of the first Kapellmeister Leo McFall occupied. It leads – enriched with quotes – sound in two opposite spheres. After kicking off with folklore bonds it changes with the flight to the West. Commented it the glittering world of the goods ironically with Broadway and jazz. In the score, there are so cliché, as well as on stage plenty of cliche-affected can be seen, the touched yet or perhaps because. At the end of a little hope for Anya.

More still affected after all the pain, blood, fear. No known opera evening.

Further performances on 8./14. December 10 January 8 February every 20 clock

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Author: Hayley Chappell - Online Marketer
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March 5th 2012
Win an Anya17 T-Shirt

It’s premiere week at Anya17 and while the cast and musicians have the final few rehearsals you could be in with a chance to win one of the fantastic Anya17 T-Shirts designed by Stu Jones.

To be in with a chance to win a T-Shirt all you need to do is answer this simple question:

Q: Who plays the lead role of Anya in the opera Anya17?

The answer can be found on the website at www.anya17.co.uk. If you know (or find!) the answer, simply comment on this post with your answer. (All comments are approved before they appear on the blog so no comments relating to this post will be approved until after we have revealed the answer and announced a winner.)

Competition closes Saturday 10th March 2012.

Read Stu Jones’ original post revealing the truth behind the T-Shirt design.

Winners will have the choice between a T-Shirt with the full back design or with the front logo only.

We will also be running a Twitter only competition which we will announce details of later this week!

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Author: Stu Jones - Graphic Designer
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November 10th 2011
Anya17 T-Shirts: Exposed

In my last blog post I promised I’d shed some light on the story behind the mysterious code on the rear of the Anya17 t-shirts. So for any of you who have been waiting with bated breath, here we go.

When we first met Ben he had a pretty good idea of what he needed to do from a marketing point of view to get people excited about Anya 17. Getting a buzz going about the opera was absolutely essential. It was natural that, during our initial conversations about the logo, talk turned to include the other visual aspects of the project: the website, Facebook, Twitter, print work and other general merchandise, including t-shirts.

We all thought t-shirts were a fantastic way of getting the branding out there and seen by as many people as possible. It made perfect sense to have the (at that point undesigned) logo as the most prominent element on the front of the shirt. Then there was the small matter of the back of the t-shirts. We all felt that the rear of the shirt gave us a great opportunity to share more information about the project aims and to spread awareness of the trafficking issue. Therefore, as well as the logos of any sponsors, a bit of information on the rear about the cause was a must, but we also wanted something a bit different that would really serve as a conversation starter.

During our first phone call Ben had already talked about the kinds of services girls in Anya17’s situation were being forced to offer by the traffickers. The way these services were advertised to potential customers (so-called ‘Johns’) was very particular and listed as a “menu”. This menu of services varied from girl to girl and was written using a code of acronyms. The code had apparently originated as a way for ‘Johns’ to elude the police on internet prostitution websites. Ben explained the code was very well known to the ‘Johns’ and each individual acronym was usually listed together with an indication of price, again written in code.

We all thought that this menu would make very interesting print for the rear of the t-shirts. The idea was to use it as a device to inspire questions and conversation but I especially liked the way the format seemed to echo that of rock band tour t-shirts. However, instead of listing the venues of the performances, ours would listing the different types of ‘performances’ themselves.

With that decided, all that was left was to design the actual t-shirts. As you will have seen if you have looked at the t-shirts on the Spreadshirt website there is rather a lot of stuff crammed onto the back. As we were including the rather provocative code we thought it was important to also give facts to put it in context and to bring home the shocking reality of the issue. We really liked the idea of indicating the sexual nature of the obscure code through a climax style use of the word yes after each ‘service’ and contrasting this with some text explaining the cold reality. Not only would it be a conversation starter for anyone not in the know, it would also act as a kind of slap around the face for anyone who did know the code, and would hopefully inspire some empathy.

The rear of the t-shirt is then finished off with the ever growing assortment of supporter logos, thanks to all Ben’s hard work in getting everyone involved.

So finally, for those of you who are itching to know, the meaning of each of the acronyms in the code are listed here. Please be warned, however, that they are obviously of a sexual nature so if you’re a bit faint-hearted or easily offended please stop reading right here.

CLICK HERE FOR THE ANYA17 T-SHIRT CODE EXPOSED >>

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Author: Stu Jones - Graphic Designer
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October 16th 2011
Anya17 Artwork

Hi Everyone, I’m Stu and I’m responsible for creating the artwork for the Anya17 project.

Following on from the recent t-shirt launch I was going to start by telling the story behind the artwork, and follow it with an explanation of the more cryptic parts of the text on the reverse of the t-shirt.

However, before I do that I’d like to give a bit of background on my involvement in the project and the development of the visual side of things so far.

From the first time I spoke to Ben on the phone it was immediately apparent that he had a real passion for both the subject and the project. He talked at great length not only about the project but about the whole thing – the girls, the traffickers, the statistics and the horrendous reality of the situation for all those tricked into that life. All this was punctuated by some truly disturbing stories he had come across over the course of his research. By the end of the call I knew that I had to be involved. It was a combination of his passion, the great cause and his genuine trust and openness meaning I could really go to town with the artwork.

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Author: Anna Celeste Watson - Web Designer
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October 14th 2011
Design for Change

I suppose its about time I introduced myself properly! I’m Anna, the Web Designer who will be creating the website to promote the amazing project that is Anya17. I am very proud to be working with my Partner Illustrator Stu Jones who created the stunningly beautiful yet provocative and disturbing logo!

Ben Kaye first rang me back in July about creating a logo, saying he had been recommended to me by someone I had never heard of and he then googled me by general location. To this day I am not sure whether it was me he was even supposed to call or if he got the wrong company, but either way I’m pretty sure it was fate! I hope that he certainly came to the right person as I have specifically been looking to get involved with more ethical and charity related web design projects, after all it must be every designers dream to do work for ‘good causes’ for the greater good of others.

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