Posts Tagged ‘Trafficking’

Author: Ben Kaye - Librettist, Co-founder
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July 2nd 2014
Four men and a woman have been jailed for conspiring to traffic women into the UK for sexual exploitation.

The gang trafficked more than 100 women into the UK, some of whom were forced into prostitution and raped…

 

It couldn’t happen here in the UK, could it?

Story here…

 

I’m assuming that WordPress will not work to display this link, so here is the link in full:

http://www.bbc.co.uk/news/uk-england-london-28123869

 

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Author: Ben Kaye - Librettist, Co-founder
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June 26th 2014
Seven people from the same family have been sentenced to 66 years in prison between them after they were convicted of trafficking three Polish nationals into the UK.

We continue to hear from some people who simply do not believe that Human Trafficking exists.

Thank you to City Hearts, who were instrumental in the rescue of three Polish people Trafficked into the UK and the successful prosecution and jailing of seven Traffickers.

Extract:

The three victims were lured to the UK with the promise of paid work and a better life.

As soon as they arrived, their identity documents were confiscated

The victims were subjected to a catalogue of violence and degrading treatment.

One night, having been held captive for approximately 12 months, one of the victims managed to escape, subsequently living on the streets for four months before finding assistance from a charity called City Hearts.

Sound familiar?

www.itv.com/news/london/update/2014-06-20/7-people-sentenced-for-human-trafficking-offences

#‎freedom‬ ‪#‎cityhearts‬

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Author: Ben Kaye - Librettist, Co-founder
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June 25th 2014
Audience reaction to Anya17 in San Francisco

 

“It is an extraordinarily powerful and emotional work. A tough and uncompromising story and the fact that it was in the form of an opera seemed as natural as breathing. There has never been anything like this on stage in San Francisco. Bravo a tutti at Opera Parallele.
While we were in the theatre some very young women being held as sex slaves were rescued in a trafficking sting mere blocks away. “
Mike – 23 June

“STRONGLY recommend ANYA 17. Today at 4pm is the last show, if you haven’t seen it go get your tickets. It’s more than just an opera… it’s an amazing, eye-opening msg bringing awareness around human trafficking… I saw it on FRIDAY and I am still thinking of it. THANK YOU Opera Parallele for bringing awareness on such an important subject to our community through music and theater.”
Raeeka – 22 June

“I saw Anya 17 tonight. I want to say amazing, but in truth it was difficult and disturbing. I think that is the point… Congratulations to you and everyone else for such a difficult piece.”
Quincy – 22 June

“Really proud of Opera Parallele…they are doing important things. Experienced a great piece of theatre tonight.”
Leah – 20 June

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Author: Ben Kaye - Librettist, Co-founder
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June 21st 2014
News from San Francisco!

The first night!

Following a triumphant first night in San Francisco, (left to right) Nicole Paiment (Artistic Director and Conductor of Anya17), Composer Adam Gorb, Shawnette Sulker (“Mila”), Brian Staufenbiel (Stage Director and Concept Designer) and Anna Noggle (“Anya”) enjoy a few moments after the USA Premiere before gearing up for further performances.

 

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Author: Ben Kaye - Librettist, Co-founder
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December 16th 2013
Together in Legislation…

uk-politics-25389760

All of us who have been involved with Anya17 are very encouraged to learn that the increased public awareness and pressure exerted by so many Anti-Trafficking / Slavery initiatives and organisations in the past years has resulted in proposed legislation to recognise and attempt to address the multiple issues of modern day Slavery in the UK.

 

Anya17 was written to raise awareness of modern day Slavery, and the Sex Trafficking of adults and minors in particular, and perhaps therefore surely we should take some satisfaction in having helped spread the message and raising awareness of these issues?

 

The real truth is that we know many of the NGOs supporting Anya17 have differing opinions and reservations about the proposed legislation as it stands. All of these conviction-driven NGOs are trying to do ‘the right thing’, so understandably many of these indispensable organisations attack the problems from slightly different angles.

 

Many are on ‘the front line’, dealing with victims every day, some are on ‘the front line’ but concentrate their efforts on rescuing children… or on rescuing adults. The greatest strengths of some are in advocacy, awareness, cooperation, legislation or in the prosecution of Traffickers.

 

The real work is therefore just beginning…

 

The important thing we all must recognise is that:

 

WE ARE ALL DOING THIS FOR THE SAME REASON – TO ERADICATE THE TRAFFICKING, EXPLOITATION AND SLAVERY OF HUMAN BEINGS.
The next few months will be a very difficult time – a time in which alliances may be brokered, broken and re-formed, perhaps ultimately to the detriment of less-influential organisations, or more importantly, to the victims.

 

Politics is a slippery, difficult game. I just hope that whatever becomes Law will be for the benefit of ALL victims – past, present and future.

 

LET THERE BE NO POLITICAL  ‘DIVIDE AND CONQUER’


It is far more important to provide a united front in terms of proposed legislation than to allow our different initiatives to fall into dis-unity. If this happens then the Government will be provided with a real opportunity to negotiate with various ‘major’ players and ‘pick and choose’ in terms of the legislation proposed. The Human Trafficking Foundation has provided leadership, a Forum and an ideas-exchange, and I hope that they will be able to pull together our disparate ideas but unified goals into a coherent initiative, against which any opposition to new legislation may not find any defence.

 

Only time will tell… but please let us not waste the time, nor the opportunity. Let’s just make it happen.

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Author: Ben Kaye - Librettist, Co-founder
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December 7th 2013
Second Review of Anya17 in Germany

“No champagne this evening, no Premierengeschnatter (Premiere Chatter). Only concern. And silence. Then applause, roaring loudly after seventy minutes of silence…”

 

No champagne this evening, no Premierengeschnatter. Only concern. And silence. Then applause, roaring loudly after seventy minutes of silence. No known opera evening in Meiningen Kammerspielen, for many reasons. The subject is not a unusual in musical theater: the prostitute, the prostitute. But it is not those romanticized as the Alban Berg’s Lulu or Violetta in Verdi’s “La Traviata”. Instead, it’s about young flesh, fresh from Eastern Europe, numbered. Thus, no suitor has to bother with pesky name when he ordered the goods woman.

Forced prostitution. To raise this issue on a stage as well, as it creates through the means of music that pretends less images rather in the minds of the audience that has to Adam Gorb not a composer still married. “Anya 17″ has the Briton called his chamber opera, translation superfluous, as superfluous as the concrete location of the plot. Anya’s story could play anywhere between Eastern and Western Europe: A poor girl who loves for the first time. Want to believe the nice thing about this life in the West, which promises you the beloved. And then without it ending up in a dump. For money to buy, day and night.

Tell that everything is from the perspective of women to men has librettist Ben Kaye the marginal roles intended for, ugly roles: love vorgaukelnde decoy Uri that sex with love be confused Free Gabriel (both parts sung by Rodrigo Porras Garulo) and the brutal pimp Viktor . Stephanos Tsirakoglou shows him as a patronizing dealer who supplies the market only what this requires. And for that the hand is staying.

The market wants girls like Anya, whose dismay flashes her fate from each shooed views from every gesture, from each desperate tone of Anne Ellersiek. He also wants girls like Natalia (Carolina Krogius), happy girls, raped by father, clarified by strangers at age ten, twelve working the streets. He wants girls like the blind Elena (Camila Ribero-Souza), bruised resigned to their existence. But he does not want a girl like Mila (Elif Aytekin) whose body apparently suffers from this market than for a Free favor could find him. The reason has to die is disposed of.

Director Mareike Zimmermann leaves the four women occur in nude Suites, like bathing suits with sewn breasts and buttocks. The alienated, makes the scenes appear grotesque. The sex is just as ugly as those men who thus make a deal in this oppressive intensive production. The viewer comes when looking at the stage like a voyeur before looking to a container with mirror foil, the times reflected, sometimes gives a view of the scene free.

What happens twice in the music Gorb that makes kicks and punches audible. According opulent with two musicians on percussion is the fifteen-member Court Orchestra under the direction of the first Kapellmeister Leo McFall occupied. It leads – enriched with quotes – sound in two opposite spheres. After kicking off with folklore bonds it changes with the flight to the West. Commented it the glittering world of the goods ironically with Broadway and jazz. In the score, there are so cliché, as well as on stage plenty of cliche-affected can be seen, the touched yet or perhaps because. At the end of a little hope for Anya.

More still affected after all the pain, blood, fear. No known opera evening.

Further performances on 8./14. December 10 January 8 February every 20 clock

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Author: Ben Kaye - Librettist, Co-founder
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October 26th 2013
“Mein Name ist Anya” – Anya17 highlights Human Trafficking in Deutsche Zeitung and is invited to “go national” across Romania

We couldn’t be more delighted that the Romanian premiere of Anya17 prompted a fact-based report on Human Trafficking in Deutsche Zeitung (Romanian Edition).

Following the performance, the President of Pro Prieyenia Arad (a partner in the performance) received a call from the Ministry of Internal Affairs in Bucharest, inviting Pro Prieyenia Arad and The Friendship Foundation (UK – Romania) to go national with both the Anti-Trafficking Symposium and Anya17! We couldn’t possibly have hoped for a better result!

On that note, it was also wonderful to hear about individual audience experiences of Anya17. The following is typical:

“The standing ovation, which followed what seems like minutes of ‘gob-smacked’ silence, indicated the general audience response. A senior police office from South Africa declared to me the following day that the opera had changed the direction of his vocation.”

Let’s all keep our fingers crossed and hope that in addition to Romania, Germany (Nov 28th), San Francisco (next year) that Anya17 continues to raise awareness of the horrors of Human Trafficking.

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Author: Ben Kaye - Librettist, Co-founder
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October 4th 2013
Details of Anya17 in Romania – October 17th 2013

Details of the imminent International Symposium on Human Trafficking in (Romania October 14th to 18th) and the Romanian premiere of Anya17

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Author: Ben Kaye - Librettist, Co-founder
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May 19th 2013
Essential Viewing…

New Documentary exploring grooming and Sex Trafficking…

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Author: Ben Kaye - Librettist, Co-founder
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March 11th 2013
Fully Staged World Premiere for Anya17!

Kammerspiele des Meininger Theater

I am delighted to announce that Anya17’s fully-staged World Premiere has been confirmed for this November in Germany!

Anya17 will be performed amidst the stunning landscape of Thuringia at Kammerspiele des Meininger Theater in Meiningen with a Cast from Theater Meiningen. The run will start on November 28th 2013 and finish on February 8th 2014.

The Meiningen Court Orchestra is one of the oldest and most tradition rich orchestras in Europe. Founded in 1690 by Duke Bernhard I, this elite 70-strong Orchestra has attracted Composers such as Johannes Brahms and Musical Direction from such luminaries as Hans von Bülow, Max Reger and Richard Strauss. The visionary Philippe Bach has been the Music Director since 2010.

The confirmed dates so far are:
Nov 28th 2013, Dec 8th 2013, Dec 14th 2013, Jan 10th 2014, Feb 8th 2014.

I need not say how excited we all are to hear the news of this run, and we hope to bring you news of performances in other countries soon!

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